Jerry Maguire used to be a typical sports agent: willing to do just about anything he could to get the biggest possible contracts for his clients, plus a nice commission for himself. Then, one day, he suddenly has second thoughts about what he's really doing. When he voices these doubts, he ends up losing his job and all of his clients, save Rod Tidwell, an egomaniacal football player.
| Directing | Jerry Ziesmer | First Assistant Director |
| Production | James L. Brooks | Producer |
| Camera | Janusz Kamiński | Director of Photography |
| Art | Clay A. Griffith | Set Decoration |
| Editing | Joe Hutshing | Editor |
| Art | Jack Johnson | Production Illustrator |
| Costume & Make-Up | Betsy Heimann | Costume Design |
| Production | Laurence Mark | Producer |
| Production | Bruce S. Pustin | Co-Producer |
| Directing | Cameron Crowe | Director |
| Production | Cameron Crowe | Producer |
| Writing | Cameron Crowe | Writer |
| Production | Lisa Stewart | Associate Producer |
| Production | Gail Levin | Casting |
| Costume & Make-Up | Michèle Burke | Makeup Supervisor |
| Sound | Dino Dimuro | Foley |
| Sound | Tami Treadwell | ADR Recordist |
| Production | John D. Schofield | Co-Producer |
| Crew | Paul H. Haines Jr. | Special Effects Coordinator |
| Crew | Allan Graf | Stunt Coordinator |
| Directing | Allan Graf | Second Unit Director |
| Art | Virginia L. Randolph | Art Direction |
| Costume & Make-Up | James Lapidus | Costume Supervisor |
| Editing | Gabriel Wrye | Additional Editing |
| Art | Stephen J. Lineweaver | Production Design |
| Art | Clayton Hartley | Art Direction |
| Production | Bridget Johnson | Executive Producer |
| Production | Richard Sakai | Producer |
| Production | Amy Herman | Production Manager |
| Art | Wendy Riva | Assistant Art Director |
| Crew | Paula Abdul | Choreographer |
| Production | Douglas Jones | Assistant Accountant |
| Sound | Don Coufal | Boom Operator |
| Sound | John K. Adams | ADR Editor |
| Writing | W.D. Hogan | Storyboard |
| Production | J. Michael Mendel | Associate Producer |
| Lighting | Jeff Zucker | Gaffer |
| Sound | Paul Timothy Carden | Dialogue Editor |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Art | John Villarino | Construction Coordinator |
| Camera | Andrew Cooper | Still Photographer |
| Lighting | David Devlin | Chief Lighting Technician |
| Art | Hope M. Parrish | Property Master |
| Art | Julia K. Levine | Set Designer |
| Camera | Bob Gorelick | Steadicam Operator |
| Camera | Mitch Dubin | Camera Operator |
| Sound | Carlton Kaller | Music Editor |
| Art | Mike Villarino | Construction Foreman |
| Crew | Michael Singer | Unit Publicist |
| Sound | Chris Jargo | Supervising ADR Editor |
| Sound | Hector C. Gika | Sound Effects Editor |
| Directing | Joanie Blum | Script Supervisor |
| Visual Effects | Brad Kuehn | Visual Effects Supervisor |
| Sound | Danny Bramson | Music Supervisor |
| Sound | Robert Batha | Assistant Sound Editor |
| Sound | Jeff Wexler | Sound Mixer |
| Costume & Make-Up | Carrie Angland | Makeup Artist |
| Lighting | Charley Gilleran | Key Rigging Grip |
| Lighting | Brian Lukas | Rigging Gaffer |
| Editing | Phil Hetos | Color Timer |
| Crew | Thomas Vilardo | Transportation Co-Captain |
| Crew | Don Tardino | Transportation Coordinator |
| Costume & Make-Up | Gregory B. Peña | Set Costumer |
| Camera | Jim Kwiatkowski | Key Grip |
| Camera | Mark Spath | Second Assistant Camera |
| Art | Lee J. Jashinsky | Painter |
| Production | Mike Revell | Production Accountant |
| Editing | Ofe Yi | First Assistant Editor |
| Production | Susan Dukow | Production Office Coordinator |
| Production | Frawley Becker | Location Manager |
| Crew | Michael G. Kehoe | Craft Service |
| Crew | Steve Blalock | Stunts |
| Lighting | Michael A. McFadden | Rigging Grip |
| Production | Mike Fantasia | Assistant Location Manager |
| Lighting | Kevin Erb | Best Boy Electric |
| Crew | Rod Basham | Visual Effects Editor |
| Visual Effects | Tim Ketzer | 3D Animator |
| Visual Effects | John Cornejo | Digital Compositors |
| Camera | Steven Meizler | First Assistant Camera |
| Crew | Dean Striepeke | Video Assist Operator |
| Sound | David Young | Sound Engineer |
| Art | Greg Wilkinson | Leadman |
| Lighting | James Barker | Electrician |
| Costume & Make-Up | Cynthia Black | Costumer |
| Camera | Steve Alessi | Grip |
| Costume & Make-Up | Robyn B. Holmes | Set Dressing Artist |
| Crew | Mark Pont | Driver |
| Crew | Tory Reed | Set Production Assistant |
| Crew | Andrea Mikolajczak | Stand In |
| Production | Andrew Stone | Unit Production Manager |
| Lighting | Bill Keenley | Lighting Technician |
| Production | Tricia Tomey | Casting Associate |
| Visual Effects | Richard A. Benoit | Visual Effects Coordinator |
| Visual Effects | Ariana Lingenfelser | Visual Effects Producer |
| Camera | Dwight Joseph Lavers | Dolly Grip |
| Art | William D. Parrish | Assistant Property Master |
| Art | Doreen Austria | Graphic Designer |
| Production | George Davis | Production Secretary |
| Production | Crista Birgy | Second Assistant Accountant |
| Directing | Bryan Denegal | Second Second Assistant Director |
| Editing | Steve Bellen | Assistant Editor |
| Production | Eva Eastman | Casting Assistant |
| Production | Christopher F. Fuentes | Location Assistant |
| Production | Beau Sessions | Assistant Production Coordinator |
| Production | Michael Caccamise | Extras Casting Assistant |
| Production | Richard K. Chung | Production Assistant |
| Production | Jeanne Mayeux | Researcher |
