Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda and his wife Cecilia. Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody.
| Directing | Christopher Hampton | Director |
| Production | Lucas Foster | Co-Executive Producer |
| Production | José María Cunillés | Co-Producer |
| Production | Kirk D'Amico | Executive Producer |
| Production | Lourdes Diaz | Co-Executive Producer |
| Production | Diane Isaacs | Producer |
| Production | Geoffrey C. Lands | Producer |
| Production | Isabel Mulá | Co-Producer |
| Production | Raúl Outeda | Producer |
| Production | Michael Peyser | Producer |
| Production | Santiago Prozo | Producer |
| Production | Philip von Alvensleben | Co-Executive Producer |
| Sound | George Fenton | Original Music Composer |
| Camera | Guillermo Navarro | Director of Photography |
| Editing | George Akers | Editor |
| Production | Janey Fothergill | Casting |
| Art | Bárbara Pérez-Solero | Production Design |
| Art | Laura Musso | Set Decoration |
| Costume & Make-Up | Bina Daigeler | Costume Design |
| Costume & Make-Up | Ana Lozano | Makeup Department Head |
| Costume & Make-Up | Morag Ross | Makeup Artist |
| Costume & Make-Up | Nena Smarz | Makeup Artist |
| Sound | Craig Irving | Sound Re-Recording Mixer |
| Sound | Tom Jenkins | Sound |
| Sound | Jason Adams | Foley Editor |
| Production | Jordi Ros | Co-Executive Producer |
| Costume & Make-Up | Manolo García | Hairstylist |
