Lando Buzzanca plays a man desperate to father a male heir. However, his wife (Roseanne Podesta) is apparently barren. They decide to use a surrogate mother, which, since this was in the days before artificial insemination, means Buzzanca will have to impregnate the surrogate the "old-fashioned" way. After a mishap involving a VERY unattractive but fertile widow, Buzzanca sets his sights on young girl (Gloria Guida) at an orphanage for unwed mothers (who has already given an illegitimate child up for adoption). They hire her as a maid, but she is under the impression they're going to adopt her, leading to some quasi-incestual misunderstandings...
| Writing | Sandro Continenza | Writer |
| Writing | Raimondo Vianello | Writer |
| Sound | Carlo Rustichelli | Original Music Composer |
| Directing | Nando Cicero | Director |
| Camera | Alfio Contini | Director of Photography |
| Production | Romualdo Buzzanca | Production Supervisor |
| Production | Massimo Civilotti | Production Supervisor |
| Costume & Make-Up | Giulio Natalucci | Makeup Artist |
| Editing | Renato Cinquini | Editor |
| Costume & Make-Up | Rosa Luciani | Hairstylist |
| Art | Ezio Altieri | Production Design |
| Production | Claudio Cuomo | Production Supervisor |
| Directing | Anna Maria Montanari | Script Supervisor |
| Camera | Enzo Tosi | Assistant Camera |
| Directing | Massimo Manasse | Assistant Director |
| Production | Bruno Gallo | Production Secretary |
| Camera | Remo Grisanti | Assistant Camera |
| Sound | Massimo Loffredi | Sound |
| Camera | Franco Sterpa | Assistant Camera |
| Camera | Alessandro Grossi | Assistant Camera |
| Sound | Gianfranco Plenizio | Conductor |
| Production | Renato Pecoriello | Administration |
| Editing | Carlo Marino | Assistant Editor |
| Production | Placido Di Salvo | Production Manager |
| Editing | Antonio Fusco | Assistant Editor |
| Sound | Tullio Petricca | Boom Operator |
| Camera | Sandro Tamborra | Camera Operator |
| Costume & Make-Up | Christina La Fayette | Assistant Costume Designer |
