Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.
Editing | Michael Tronick | Editor |
Art | David Gropman | Production Design |
Production | David Rubin | Casting Director |
Costume & Make-Up | Rita Ryack | Costume Design |
Camera | Bojan Bazelli | Director of Photography |
Production | Marc Shaiman | Executive Producer |
Writing | John Waters | Screenplay |
Writing | Leslie Dixon | Screenplay |
Crew | Anne Fletcher | Associate Choreographer |
Directing | Anne Fletcher | Second Unit Director |
Art | Gordon Sim | Set Decoration |
Production | Craig Zadan | Producer |
Directing | Adam Shankman | Director |
Production | Adam Shankman | Executive Producer |
Production | Jennifer Gibgot | Executive Producer |
Production | Toby Emmerich | Executive Producer |
Production | Armand Leo | Unit Production Manager |
Production | Garrett Grant | Executive Producer |
Production | Garrett Grant | Unit Production Manager |
Directing | Daniel Silverberg | First Assistant Director |
Production | Erik Holmberg | Executive In Charge Of Production |
Production | Jody Levin | Executive In Charge Of Post Production |
Crew | Jay Vinitsky | Post Production Supervisor |
Directing | Joanna Moore | Second Assistant Director |
Crew | Jamal Sims | Associate Choreographer |
Crew | Zachary Woodlee | Associate Choreographer |
Crew | Tony Gardner | Makeup Effects |
Costume & Make-Up | Judi Cooper-Sealy | Hairstylist |
Art | Dennis Davenport | Art Direction |
Production | Richard Hicks | Casting Director |
Production | Neil Meron | Producer |
Production | Mark Kaufman | Executive Producer |
Production | Scott Wittman | Executive Producer |
Camera | David James | Still Photographer |
Directing | Susanna David | Script Supervisor |
Crew | Paul Prokop | Executive in Charge of Finance |