The film centers mostly around the personal and professional life of Thomas "Stonewall" Jackson, a brilliant if eccentric Confederate general, from the outbreak of the American Civil War until its halfway point.
| Sound | Randy Edelman | Original Music Composer |
| Directing | Ronald F. Maxwell | Director |
| Production | Robert Katz | Executive Producer |
| Writing | Ronald F. Maxwell | Screenplay |
| Production | Robert Rehme | Executive Producer |
| Production | Moctesuma Esparza | Executive Producer |
| Production | Ted Turner | Executive Producer |
| Editing | Corky Ehlers | Editor |
| Art | Michael Z. Hanan | Production Design |
| Production | Mace Neufeld | Executive Producer |
| Camera | Kees Van Oostrum | Director of Photography |
| Writing | Jeff Shaara | Novel |
| Production | Ronald F. Maxwell | Producer |
| Sound | John Frizzell | Original Music Composer |
| Costume & Make-Up | Maurice Whitlock | Costume Design |
| Costume & Make-Up | Richard La Motte | Costume Design |
| Production | Joy Todd | Casting |
| Sound | Melissa Sherwood Hofmann | Sound Re-Recording Mixer |
| Visual Effects | Matt Hullum | Visual Effects Producer |
| Art | Bill Iiams | Construction Coordinator |
| Camera | Van Redin | Still Photographer |
| Sound | Lisa Jaime | Music Editor |
| Sound | Catherine Harper | Foley |
| Sound | Javier M. Hernández | Boom Operator |
| Costume & Make-Up | Catharine Fletcher Incaprera | Costume Supervisor |
| Sound | David Hankins | Supervising Sound Editor |
| Art | Geoff Hubbard | Set Designer |
| Visual Effects | Justin Paul Ritter | Visual Effects Supervisor |
| Art | Cheree Welsh | Art Department Coordinator |
| Sound | Gary Coppola | Sound Re-Recording Mixer |
| Crew | Chris Howell | Stunt Coordinator |
| Visual Effects | Adam Howard | Visual Effects Supervisor |
| Camera | Tom Weston | Camera Operator |
| Visual Effects | Thomas G. Smith | Visual Effects Producer |
| Art | Gregory Bolton | Art Direction |
| Crew | Silvija L. Moess | Scenic Artist |
| Sound | J. Stanley Johnston | Sound Re-Recording Mixer |
| Lighting | Stephen Crowley | Best Boy Electric |
| Sound | Pete Elia | Sound Re-Recording Mixer |
| Sound | Stacey A. Washer | Boom Operator |
| Art | Hugo Santiago | Assistant Art Director |
| Art | Jonathan Short | Set Designer |
| Visual Effects | Jon Townley | Visual Effects Supervisor |
| Visual Effects | Lorraine Rozon | Visual Effects Producer |
| Art | Patricia Klawonn | Set Designer |
| Sound | Bob Newlan | Supervising Sound Editor |
| Crew | Matt Vogel | Special Effects Coordinator |
| Art | Casey Hallenbeck | Set Decoration |
| Art | Daniel R. Jennings | Assistant Art Director |
| Art | Stan Tropp | Set Designer |
| Costume & Make-Up | Toby Bronson | Set Costumer |
| Costume & Make-Up | Carl Curnutte III | Set Costumer |
| Costume & Make-Up | Vanessa Davis | Hairstylist |
| Costume & Make-Up | Janeen Schreyer | Makeup Artist |
| Crew | Vic Heutschy | Unit Publicist |
| Costume & Make-Up | Robert DeGrazia | Set Costumer |
| Costume & Make-Up | Manlio Rocchetti | Hairstylist |
| Costume & Make-Up | Manlio Rocchetti | Makeup Artist |
| Crew | Dan Romero | Transportation Coordinator |
| Crew | Joseph P. Hurt | Makeup Effects |
| Costume & Make-Up | Taylor Knight | Hairstylist |
| Crew | Chris Ryan | CGI Supervisor |
| Lighting | Brian Gunter | Gaffer |
| Costume & Make-Up | Deborah Latham | Set Costumer |
| Production | Tom Trigo | Location Manager |
| Costume & Make-Up | Patricia Androff | Makeup Artist |
| Costume & Make-Up | K. Drew Fuller | Set Costumer |
| Production | John Crowder | Location Manager |
| Lighting | Jay Kemp | Rigging Gaffer |
| Art | Steve George | Property Master |
| Art | Kelly Farrah | Property Master |
| Camera | William Wages | Second Unit Director of Photography |
| Crew | Casey O'Neill | Stunts |
