The late 1950s were known as golden years in the world of motor racing, champions were made and lost on a Sunday, and no losses were greater than those of Enzo Ferrari’s Scuderia. Based on Chris Nixon’s bestselling biography Mon Ami Mate, Ferrari: Race to Immortality tells the story of the loves and losses, triumphs and tragedy of a turbulent era that shook the motor racing world.
| Directing | Daryl Goodrich | Director |
| Writing | Rupert Bush | Writer |
| Production | Julia Taylor-Stanley | Producer |
| Production | Kevin Loader | Producer |
| Production | Maggie Monteith | Producer |
| Production | Sam Tromans | Producer |
| Production | Alexander O'Neal | Co-Producer |
| Production | Tom Harberd | Associate Producer |
| Production | Rupert Bush | Co-Producer |
| Production | Phil Hunt | Executive Producer |
| Production | Compton Ross | Executive Producer |
| Production | Chris Reed | Executive Producer |
| Production | Phil Rymer | Executive Producer |
| Production | Norman Merry | Executive Producer |
| Production | Peter Hampden | Executive Producer |
| Editing | Paul Trewartha | Editor |
| Art | Francisco Rodriguez-Weil | Art Direction |
| Costume & Make-Up | Francisco Rodriguez-Weil | Costume Design |
| Sound | Jerry Lane | Music |
| Sound | Gemma Dempsey | Music Supervisor |
| Camera | David Meadows | Director of Photography |
| Editing | Andy Laas | Assistant Editor |
| Directing | Matt Lawson | First Assistant Director |
| Sound | Grant Lawson | Sound Recordist |
| Sound | Charles Welsfield | Sound Recordist |
| Sound | Renato Ferrari | Sound Recordist |
| Sound | Kyle Martyn-Clark | Sound Recordist |
| Camera | Matt Humphrey | Still Photographer |
| Camera | Alexander O'Neal | Still Photographer |
| Production | Laura Pettitt | Publicist |
| Art | Tom Burke | Title Designer |
| Sound | James Hayday | Sound Re-Recording Mixer |
| Sound | Michele Woods | Dialogue Editor |
