An antiterrorism agent goes under the knife to acquire the likeness of a terrorist and gather details about a bombing plot. When the terrorist escapes custody, he undergoes surgery to look like the agent so he can get close to the agent's family.
| Production | Barrie M. Osborne | Producer |
| Production | Steven Reuther | Executive Producer |
| Production | Michael Douglas | Executive Producer |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Editing | Christian Wagner | Editor |
| Production | Mindy Marin | Casting |
| Art | Neil Spisak | Production Design |
| Sound | Susumu Tokunow | Sound Recordist |
| Crew | Bronwyn Preston | Unit Publicist |
| Directing | John Woo | Director |
| Writing | Mike Werb | Writer |
| Production | Mike Werb | Co-Producer |
| Writing | Michael Colleary | Writer |
| Production | Michael Colleary | Co-Producer |
| Production | Terence Chang | Producer |
| Production | David Permut | Producer |
| Production | Jeff Levine | Associate Producer |
| Sound | John Powell | Original Music Composer |
| Camera | Oliver Wood | Director of Photography |
| Editing | Steven Kemper | Editor |
| Art | Steve Arnold | Art Direction |
| Art | Garrett Lewis | Set Decoration |
| Production | Marty P. Ewing | Unit Production Manager |
| Sound | Dino Dimuro | Sound Effects Editor |
| Sound | Tony Lamberti | Sound Effects Editor |
| Production | Jonathan D. Krane | Executive Producer |
| Sound | Christopher Assells | Sound Effects Editor |
| Sound | Per Hallberg | Supervising Sound Editor |
| Sound | Bryan Bowen | Sound Effects Editor |
| Sound | Mark P. Stoeckinger | Supervising Sound Editor |
| Crew | Brian Smrz | Stunt Coordinator |
| Costume & Make-Up | Michael Dennison | Costume Supervisor |
| Production | Christopher Godsick | Producer |
| Editing | Matthew Booth | First Assistant Editor |
| Sound | Jeff Clark | Dialogue Editor |
| Sound | Gail Clark Burch | Dialogue Editor |
| Costume & Make-Up | Michelle Bühler | Makeup Artist |
| Crew | Aaron Skalka | Transportation Co-Captain |
| Directing | Arthur Anderson | First Assistant Director |
| Sound | David Williams | Supervising Dialogue Editor |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Sound | Carin Rogers | Dialogue Editor |
| Sound | Susan Kurtz | Sound Editor |
| Sound | Susan Kurtz | Dialogue Editor |
| Camera | Stephen Vaughan | Still Photographer |
| Camera | William D. Barber | Camera Operator |
| Sound | Anna Behlmer | Sound Re-Recording Mixer |
| Sound | Michael A. Reagan | Sound Effects Editor |
| Sound | Chris Hogan | Sound Effects Editor |
| Art | Rodney Armanino | Construction Coordinator |
| Sound | Scott Wolf | Sound Effects Editor |
| Sound | Richard Corwin | Dialogue Editor |
| Camera | Peter Jensen | Camera Operator |
| Crew | Dan Romero | Transportation Co-Captain |
| Sound | Tom Lalley | Sound Re-Recording Mixer |
| Directing | Cate Hardman | Script Supervisor |
| Sound | Kelly Oxford | Sound Effects Editor |
| Sound | David M. Ronne | Production Sound Mixer |
| Sound | Peter J. Lehman | Sound Effects Editor |
| Sound | Rick Morris | Sound Effects Editor |
| Sound | Tom Perry | Sound Re-Recording Mixer |
| Production | Karen Shaw | Production Coordinator |
| Sound | Sally Boldt | Music Editor |
| Sound | Philip Rogers | Sound Recordist |
| Crew | Howard Bachrach | Transportation Captain |
| Directing | Joan Cunningham | Second Assistant Director |
