In Exomologesis, the filmmaker and poet César González set out to show the consequences of a society governed by obedience and the consequences of this in times of neoliberalism. Unlike his previous films, in color and with many scenes shot outdoors, this is a black and white film that takes place in a two-room apartment, which allows us to see that an office can also be a closed institution.
| Directing | César González | Director |
| Sound | Joel Páez | Sound |
| Sound | Martín Kouto | Sound |
| Sound | Manuel Cabral | Sound |
| Crew | Sabrina Moreno | Thanks |
| Crew | Jonathan Moreno | Thanks |
| Crew | César González | Cinematography |
| Camera | César González | Camera Operator |
| Editing | César González | Editor |
| Writing | César González | Writer |