When Dracula leaves the captive Jonathan Harker and Transylvania for London in search of Mina Harker, the reincarnation of Dracula's long-dead wife Elisabeta, obsessed vampire hunter Dr. Van Helsing sets out to end the madness.
You can now watch Bram Stoker's Dracula online on the following streaming providers in the United States.
| Directing | Francis Ford Coppola | Director |
| Production | Francis Ford Coppola | Producer |
| Editing | Glen Scantlebury | Editor |
| Sound | Wojciech Kilar | Original Music Composer |
| Sound | Wojciech Kilar | Orchestrator |
| Writing | Bram Stoker | Novel |
| Art | Thomas E. Sanders | Production Design |
| Editing | Anne Goursaud | Editor |
| Production | Fred Fuchs | Producer |
| Production | Charles Mulvehill | Producer |
| Camera | Michael Ballhaus | Director of Photography |
| Camera | Florian Ballhaus | First Assistant Camera |
| Writing | James V. Hart | Screenplay |
| Production | James V. Hart | Co-Producer |
| Camera | David M. Dunlap | Camera Operator |
| Art | Garrett Lewis | Set Decoration |
| Costume & Make-Up | Michèle Burke | Makeup Department Head |
| Costume & Make-Up | Michèle Burke | Makeup Designer |
| Directing | Peter Giuliano | First Assistant Director |
| Sound | David B. Cohn | Supervising ADR Editor |
| Art | Mike Mignola | Conceptual Illustrator |
| Production | Michael Apted | Executive Producer |
| Sound | Leslie Shatz | Sound Designer |
| Sound | Leslie Shatz | Sound Re-Recording Mixer |
| Editing | Nicholas C. Smith | Editor |
| Production | John Veitch | Co-Producer |
| Art | Andrew Precht | Art Direction |
| Visual Effects | Roman Coppola | Visual Effects |
| Directing | Roman Coppola | Second Unit Director |
| Costume & Make-Up | Greg Cannom | Special Effects Makeup Artist |
| Production | Robert O'Connor | Executive Producer |
| Visual Effects | Alison Savitch | Visual Effects Supervisor |
| Sound | Mark L. Mangino | Sound Effects Editor |
| Sound | Cindy Marty | Foley Editor |
| Production | Patricia Churchill | Unit Production Manager |
| Sound | John Sisti | ADR Editor |
| Sound | John H. Arrufat | Dialogue Editor |
| Costume & Make-Up | Eiko Ishioka | Costume Design |
| Costume & Make-Up | John Blake | Makeup Artist |
| Sound | Mark Gordon | Foley Supervisor |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Sound | John F. Reynolds | Foley Editor |
| Sound | Christopher S. Aud | Sound Effects Editor |
| Sound | Aaron Rochin | Sound Re-Recording Mixer |
| Sound | Greg Stewart | Sound Effects Editor |
| Lighting | James R. Tynes | Chief Lighting Technician |
| Sound | Harry Cheney | Dialogue Editor |
| Sound | Dennis S. Sands | Sound Re-Recording Mixer |
| Sound | David F. Van Slyke | Sound Effects Editor |
| Camera | J. Patrick Daily | Key Grip |
| Sound | David E. Stone | Supervising Sound Editor |
| Costume & Make-Up | Carol Schwartz | Makeup Artist |
| Production | Susan Landau Finch | Associate Producer |
| Sound | Linda Folk | ADR Editor |
| Sound | Marian Wallace | Sound Re-Recording Mixer |
| Sound | Jeff Gomillion | ADR Mixer |
| Sound | David Williams | Sound Effects Editor |
| Editing | Donah Bassett | Negative Cutter |
| Sound | Mark R. La Pointe | Dialogue Editor |
| Sound | Tom C. McCarthy | Supervising Sound Editor |
| Sound | Catt LeBaigue | Foley Editor |
| Sound | George W. Scott | Boom Operator |
| Sound | Jackson Schwartz | Foley Mixer |
| Directing | Kate Davey | Second Assistant Director |
| Production | Victoria Thomas | Casting |
| Camera | Jeffrey Thorin | Second Assistant Camera |
| Camera | Kent H. Jorgensen | Dolly Grip |
| Sound | Sanford Ponder | Sound Effects Editor |
