San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch the potential donor is convicted multiple murderer Peter McCabe who sees a trip to the hospital as the perfect opportunity to get what he wants most: freedom. With McCabe's escape, the entire hospital becomes a battleground and Connor must pursue and, ironically, protect the deadly fugitive who is his son's only hope for survival.
Production | Howard Feuer | Casting |
Editing | Lee Percy | Editor |
Directing | David R. Ellis | Second Unit Director |
Sound | Trevor Jones | Original Music Composer |
Crew | Jasmine Kosovic | Post Production Supervisor |
Costume & Make-Up | Larry Abbott | Makeup Artist |
Crew | Chantal Feghali | Post Production Supervisor |
Art | Jennifer Williams | Set Decoration |
Production | Gary Foster | Producer |
Camera | Ian Fox | Camera Operator |
Directing | Geoffrey Hansen | First Assistant Director |
Crew | Jeffrey J. Dashnaw | Stunt Coordinator |
Directing | Barbet Schroeder | Director |
Production | Barbet Schroeder | Producer |
Costume & Make-Up | Rick Sharp | Makeup Artist |
Costume & Make-Up | Marlene D. Williams | Hairstylist |
Art | Geoffrey Kirkland | Production Design |
Production | Susan Hoffman | Producer |
Production | Jeffrey Chernov | Executive Producer |
Camera | Luciano Tovoli | Director of Photography |
Lighting | Norman Glasser | Chief Lighting Technician |
Camera | Gary Capo | Second Unit Director of Photography |
Writing | David Klass | Screenplay |
Production | Lee Rich | Producer |
Sound | Ron Bochar | Supervising Sound Editor |
Sound | Kam Chan | Foley Editor |
Sound | Benjamin Cheah | Foley Editor |
Sound | Marko Costanzo | Foley Artist |
Sound | Chris Fielder | Assistant Sound Editor |
Sound | Lewis Goldstein | Sound Effects Editor |
Sound | Nicholas Renbeck | Assistant Sound Editor |
Production | Josie Rosen | Co-Producer |
Crew | Brian Imada | Stunts |
Costume & Make-Up | Bob Mills | Makeup Artist |
Camera | Clyde E. Bryan | First Assistant Camera |
Production | Ross T. Fanger | Unit Production Manager |
Sound | Suzana Peric | Music Editor |
Costume & Make-Up | Gary Jones | Costume Design |
Crew | Danny Epper | Stunts |
Art | Sandy Getzler | Art Direction |
Camera | Merrick Morton | Still Photographer |
Camera | Leo J. Napolitano | Camera Operator |
Sound | Frank Kern | Foley Editor |
Visual Effects | Paul J. Lombardi | Special Effects Supervisor |
Costume & Make-Up | Cheryl Beasley Blackwell | Wardrobe Supervisor |
Sound | Tom Hartig | Boom Operator |
Art | Bo Johnson | Set Designer |
Crew | Darrin Prescott | Stunts |
Crew | Troy Robinson | Stunts |
Art | C.J. Maguire | Property Master |
Camera | Bob Gorelick | Steadicam Operator |
Lighting | Gihan 'Sandy' Seneviratne | Best Boy Electric |
Sound | Tom Fleischman | Sound Re-Recording Mixer |
Crew | Spooky Stevens | Unit Publicist |
Sound | Deborah Wallach | ADR Editor |
Crew | Barbara Bass | Studio Teacher |
Directing | Susan Malerstein | Script Supervisor |
Art | Walt Hadfield | Construction Coordinator |
Art | Rando Schmook | Set Designer |
Camera | Monty Rowan | Camera Operator |
Costume & Make-Up | Bruce Ericksen | Wardrobe Supervisor |
Camera | Bob Hall | First Assistant Camera |
Camera | Philip Shanahan | Second Assistant Camera |
Costume & Make-Up | Violet Ortiz | Hairstylist |
Sound | Steven Visscher | Foley Editor |
Costume & Make-Up | KG Ramsey | Key Hair Stylist |
Sound | Gina Alfano | Dialogue Editor |
Crew | Kelly Kerby | Special Effects Coordinator |
Sound | Bruce Pross | Foley Supervisor |
Camera | Arnaud Peiny | Best Boy Grip |
Lighting | Earl C. Williman | Best Boy Electric |
Lighting | Greg Cantrell | Rigging Gaffer |
Camera | Arthur Blum | Dolly Grip |
Crew | Annie Ellis | Stunts |
Sound | Steve Nelson | Sound Mixer |
Lighting | George Dunagan | Assistant Chief Lighting Technician |
Editing | Rebecca Nicolaou | First Assistant Editor |
Crew | Steve Vandeman | Stunts |
Directing | David Hallinan | Second Assistant Director |
Art | Kelly Hannafin | Set Designer |
Camera | Jesse Chavez | Dolly Grip |