Stoney Cooper, a former Los Angeles police officer, is at a low point in his life. Kicked off the force because of his anti-authority attitude, he now ekes out a living as a freelancer in New York. All this changes when the daughter of an old friend is killed by serial killer terrorizing L.A. Although almost nobody in his old home town is happy to see him back, Cooper pledges to bring the killer to justice before any more innocent people die.
Production | John Daly | Executive Producer |
Crew | Ray Lykins | Stunts |
Sound | James Troutman | Supervising Sound Editor |
Writing | Robert Vincent O'Neil | Screenplay |
Camera | David Myers | Director of Photography |
Crew | Bud Davis | Stunts |
Camera | Joel Soisson | Second Assistant Camera |
Editing | Roy Watts | Editor |
Camera | Peter Lyons Collister | Camera Operator |
Art | David L. Glazer | Property Master |
Camera | Hanania Baer | Camera Operator |
Production | William Fay | Location Manager |
Directing | Ronald Colby | First Assistant Director |
Camera | Jon Kranhouse | Director of Photography |
Writing | Barry Schneider | Screenplay |
Directing | Jeanne Rosenberg | Script Supervisor |
Crew | Mark Shostrom | Makeup Effects |
Costume & Make-Up | Mark Shostrom | Special Effects Makeup Artist |
Crew | Denny Arnold | Stunts |
Sound | Gary Vaughan | Sound Editor |
Production | Dennis Nemec | Producer |
Camera | Michael E. Little | First Assistant Camera |
Production | Sandy Howard | Producer |
Crew | Don Pike | Stunts |
Production | Roger La Page | Production Manager |
Production | Roger La Page | Line Producer |
Crew | Lee Pulford | Stunts |
Writing | Ken Barnett | Screenplay |
Writing | Ken Barnett | Story |
Production | Barbara Harris | ADR Voice Casting |
Crew | Donna Lynn | Stunts |
Directing | Paul Aaron | Director |
Production | Keith Rubinstein | Associate Producer |
Sound | Ron Judkins | Sound Mixer |
Art | Alan Roderick-Jones | Art Direction |
Camera | Dennis Smith | Camera Operator |
Camera | Steven Finestone | Second Assistant Camera |
Costume & Make-Up | Betty Pecha Madden | Costume Design |
Sound | Gary S. Scott | Original Music Composer |
Sound | Paul B. Clay | Supervising Sound Editor |
Editing | John Currin | Assistant Editor |
Sound | Karen Rasch | Dialogue Editor |
Costume & Make-Up | Julie Glick | Costume Assistant |
Camera | Norman Leigh | Director of Photography |
Sound | Joseph Geisinger | Boom Operator |
Camera | Robert Fischer | Best Boy Grip |
Crew | Gary Gillingham | Production Controller |
Directing | James Fitzpatrick | Second Assistant Director |
Camera | Diana Lynn Moltrup | Still Photographer |
Production | Chip Fowler | Production Coordinator |
Art | Nancy Arnold | Set Decoration |
Lighting | Gregory Peters | Best Boy Electric |
Lighting | Patrick James Grosswendt | Electrician |
Sound | Russ Hill | Sound Editor |
Crew | Alan Marcus | Stunts |
Crew | Norman Blankenship | Stunts |
Sound | Dan Thomas | Sound Editor |
Crew | Jack Lyons | Unit Publicist |
Costume & Make-Up | Scott Readwine | Key Makeup Artist |
Editing | Lane Russell | Assistant Editor |
Sound | Peter Grives | Sound Editor |
Costume & Make-Up | Terryis Lee Hamilton | Key Hairdresser |
Art | Stuart Lennox | Assistant Production Design |
Art | Steve Carpenter | Assistant Property Master |
Camera | Robie Price | Dolly Grip |
Sound | Fred Prior | Music Editor |
Lighting | Dennis Grow | Gaffer |
Crew | Frank Tremonti | Transportation Coordinator |
Sound | Paul Laune | Sound Editor |
Crew | Mardie Schaefer | Stunts |
Production | Hursey St. Johns | Casting |
Production | Carol Hilson | Production Coordinator |
Lighting | John M. Conti | Electrician |
Camera | Jonathan Woolf | Key Grip |
Camera | Richard R. Perkins | Grip |
Art | Elise Basten | Assistant Set Decoration |