The swinging London, early sixties. Beautiful but shallow, Diana Scott is a professional advertising model, a failed actress, a vocationally bored woman, who toys with the affections of several men while gaining fame and fortune.
| Directing | John Schlesinger | Director |
| Writing | Frederic Raphael | Screenplay |
| Costume & Make-Up | Julie Harris | Costume Design |
| Costume & Make-Up | Rebecca Breed | Wardrobe Master |
| Art | Ted Southcott | Graphic Designer |
| Directing | Stuart A. Black | Second Assistant Director |
| Art | David Ffolkes | Set Decoration |
| Production | Victor Lyndon | Associate Producer |
| Sound | Peter Handford | Sound Recordist |
| Art | Ray Simm | Art Direction |
| Production | Mara Blasetti | Location Manager |
| Sound | John Aldred | Sound Recordist |
| Art | Tony Curtis | Draughtsman |
| Production | Miriam Brickman | Casting |
| Writing | Joseph Janni | Idea |
| Sound | John Dankworth | Conductor |
| Production | Joseph Janni | Producer |
| Production | Ed Harper | Unit Manager |
| Production | Joseph E. Levine | Executive Producer |
| Camera | Douglas Kirkland | Still Photographer |
| Writing | Frederic Raphael | Idea |
| Costume & Make-Up | Bob Lawrance | Makeup Artist |
| Editing | Jim Clark | Editor |
| Camera | Kenneth Higgins | Director of Photography |
| Writing | John Schlesinger | Idea |
| Crew | Ted Barnes | Scenic Artist |
| Sound | John Dankworth | Original Music Composer |
| Directing | Ann Skinner | Continuity |
| Sound | David Lindup | Orchestrator |
| Directing | Kip Gowans | Assistant Director |
| Camera | Bernard Ford | Assistant Camera |
| Sound | Malcolm Cooke | Sound Editor |
| Directing | Robert Watts | Second Assistant Director |
| Costume & Make-Up | Joyce James | Hairstylist |
| Camera | John Harris | Camera Operator |
| Sound | Malcolm Stewart | Sound Engineer |
