Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.
| Art | Gary Frutkoff | Assistant Art Director |
| Production | Paul Hellerman | Production Manager |
| Sound | Danny Elfman | Original Music Composer |
| Sound | Bob Badami | Music Editor |
| Writing | Sam Raimi | Screenplay |
| Directing | Sam Raimi | Director |
| Writing | Sam Raimi | Story |
| Camera | Bill Pope | Director of Photography |
| Writing | Ivan Raimi | Screenplay |
| Production | Nancy Nayor | Casting |
| Production | Patricia Whitcher | Production Manager |
| Production | Robert Tapert | Producer |
| Sound | Dino Dimuro | Sound Effects Editor |
| Visual Effects | William Mesa | Visual Effects Supervisor |
| Editing | Bud S. Smith | Editor |
| Writing | Chuck Pfarrer | Screenplay |
| Art | Phil Dagort | Art Direction |
| Art | Thomas Fichter | Assistant Art Director |
| Art | Randy Ser | Production Design |
| Crew | Tony Gardner | Makeup Effects |
| Production | Daryl Kass | Line Producer |
| Sound | Steve Bartek | Orchestrator |
| Editing | David Stiven | Editor |
| Writing | Daniel Goldin | Screenplay |
| Writing | Joshua Goldin | Screenplay |
| Sound | Dan Wallin | Sound Re-Recording Mixer |
| Crew | Harry Hauss | Pilot |
| Visual Effects | Robert Skotak | Visual Effects Supervisor |
| Sound | James Moriana | Foley |
| Sound | Jeffrey Wilhoit | Foley |
| Costume & Make-Up | Grania Preston | Costume Design |
| Art | Ginni Barr | Set Designer |
| Art | Julie Kaye Fanton | Set Decoration |
| Costume & Make-Up | Deborah K. Larsen | Makeup Artist |
| Lighting | Dante Cardone | Gaffer |
| Art | Michael Paul Clausen | Assistant Art Director |
| Camera | Melinda Sue Gordon | Still Photographer |
| Costume & Make-Up | Lynda Foote | Set Costumer |
| Crew | Roger Nall | Scenic Artist |
| Directing | Corinne Saaranen-Welch | Script Supervisor |
| Sound | Matthew Iadarola | Sound Re-Recording Mixer |
| Art | Pablo Ferro | Title Designer |
| Visual Effects | Craig Barron | Visual Effects Supervisor |
| Camera | Frank M. Holgate | Helicopter Camera |
| Production | Gerrit V. Folsom | Location Manager |
| Art | Elizabeth Flaherty | Art Department Coordinator |
| Sound | Terry Rodman | Supervising Sound Editor |
| Sound | Steve Mann | Sound Effects Editor |
| Sound | Mark Lanza | Sound Effects Editor |
| Art | Kirk Corwin | Property Master |
| Costume & Make-Up | Larry Hamlin | Makeup Artist |
| Costume & Make-Up | Susan Exton-Stranks | Hairstylist |
| Production | Issy Shabtay | Production Manager |
| Art | Ron Ervin | Construction Foreman |
| Art | George Denes Suhayda | Set Designer |
| Sound | Bill Voigtlander | ADR & Dubbing |
| Sound | Robert Thirlwell | Sound Re-Recording Mixer |
| Crew | Tim Donahue | Visual Effects Art Director |
| Visual Effects | Julia Gibson | Visual Effects Producer |
| Visual Effects | Jammie Friday | Animation |
| Crew | Christopher Doyle | Stunt Coordinator |
| Lighting | Max Pomerleau | Gaffer |
| Costume & Make-Up | Lisa Burnett | Set Costumer |
| Crew | Stacy Ivers | Unit Publicist |
| Crew | Tony Didio Jr. | Armorer |
| Editing | Richard Alderete | First Assistant Editor |
| Camera | Gary D. Scott | First Assistant Camera |
| Directing | Scott Javine | First Assistant Director |
| Art | Barbara A. Bordo | Painter |
| Production | Kristin Smith | Production Coordinator |
