Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.
| Directing | Sam Raimi | Director |
| Writing | Chuck Pfarrer | Screenplay |
| Writing | Sam Raimi | Screenplay |
| Writing | Ivan Raimi | Screenplay |
| Writing | Daniel Goldin | Screenplay |
| Writing | Joshua Goldin | Screenplay |
| Production | Robert Tapert | Producer |
| Sound | Danny Elfman | Original Music Composer |
| Camera | Bill Pope | Director of Photography |
| Editing | Bud S. Smith | Editor |
| Editing | David Stiven | Editor |
| Costume & Make-Up | Grania Preston | Costume Design |
| Writing | Sam Raimi | Story |
| Art | Randy Ser | Production Design |
| Art | Phil Dagort | Art Direction |
| Art | Julie Kaye Fanton | Set Decoration |
| Crew | Tony Gardner | Makeup Effects |
| Costume & Make-Up | Susan Exton-Stranks | Hairstylist |
| Costume & Make-Up | Deborah K. Larsen | Makeup Artist |
| Costume & Make-Up | Larry Hamlin | Makeup Artist |
| Production | Paul Hellerman | Production Manager |
| Production | Issy Shabtay | Production Manager |
| Production | Patricia Whitcher | Production Manager |
| Art | Elizabeth Flaherty | Art Department Coordinator |
| Art | Michael Paul Clausen | Assistant Art Director |
| Art | Thomas Fichter | Assistant Art Director |
| Art | Gary Frutkoff | Assistant Art Director |
| Art | Ron Ervin | Construction Foreman |
| Art | Ginni Barr | Set Designer |
| Crew | Roger Nall | Scenic Artist |
| Art | George Denes Suhayda | Set Designer |
| Sound | Bill Voigtlander | ADR & Dubbing |
| Sound | James Moriana | Foley |
| Sound | Jeffrey Wilhoit | Foley |
| Sound | Terry Rodman | Supervising Sound Editor |
| Sound | Dino Dimuro | Sound Effects Editor |
| Sound | Mark Lanza | Sound Effects Editor |
| Sound | Steve Mann | Sound Effects Editor |
| Sound | Robert Thirlwell | Sound Re-Recording Mixer |
| Sound | Matthew Iadarola | Sound Re-Recording Mixer |
| Sound | Dan Wallin | Sound Re-Recording Mixer |
| Crew | Tim Donahue | Visual Effects Art Director |
| Visual Effects | Julia Gibson | Visual Effects Producer |
| Visual Effects | Craig Barron | Visual Effects Supervisor |
| Visual Effects | William Mesa | Visual Effects Supervisor |
| Visual Effects | Robert Skotak | Visual Effects Supervisor |
| Visual Effects | Jammie Friday | Animation |
| Crew | Christopher Doyle | Stunt Coordinator |
| Lighting | Dante Cardone | Gaffer |
| Lighting | Max Pomerleau | Gaffer |
| Camera | Frank M. Holgate | Helicopter Camera |
| Camera | Melinda Sue Gordon | Still Photographer |
| Costume & Make-Up | Lisa Burnett | Set Costumer |
| Costume & Make-Up | Lynda Foote | Set Costumer |
| Sound | Bob Badami | Music Editor |
| Directing | Corinne Saaranen-Welch | Script Supervisor |
| Production | Gerrit V. Folsom | Location Manager |
| Crew | Stacy Ivers | Unit Publicist |
| Production | Nancy Nayor | Casting |
| Production | Daryl Kass | Line Producer |
| Directing | Scott Javine | First Assistant Director |
| Art | Barbara A. Bordo | Painter |
| Camera | Gary D. Scott | First Assistant Camera |
| Editing | Richard Alderete | First Assistant Editor |
| Sound | Steve Bartek | Orchestrator |
| Crew | Tony Didio Jr. | Armorer |
| Art | Pablo Ferro | Title Designer |
| Crew | Harry Hauss | Pilot |
| Production | Kristin Smith | Production Coordinator |
| Art | Kirk Corwin | Property Master |
