The war against terrorism has gone private. War has always been a profitable business, so having private corporations field their own armies to fight against terrorism is just good business. Who else could protect those innocent bunnies from the religiously fervent turbaned camel fanatics. It falls upon a small cadre of seasoned furry rabbit soldiers to take the battle to the camel's home turf.Derived from a popular Vietnam-conflict based manga series called Apocalypse Meow , this sequel series uses animal characters to tell the story of the war against terrorism fought in distant countries. Non-human cast of characters notwithstanding, this compelling and painstakingly-researched work places an emphasis on factualism in order to accurately portray the weapons and tactics used by soldiers.
| Directing | Kazuya Sasahara | Director |
| Writing | Kazuya Sasahara | Screenplay |
| Crew | Motofumi Kobayashi | Creator |
| Production | Junya Okabe | Producer |
| Writing | Hiroshi Sekisakai | Screenplay |
| Art | Tomohisa Ishikawa | Art Direction |
| Production | Naoto Kimura | Co-Producer |
| Production | Yoichiro Kiyota | Co-Producer |
| Production | Shinya Nakahara | Executive Producer |
| Sound | Kakeru Ishihama | Original Music Composer |
| Sound | Ryuichi Takada | Original Music Composer |
| Editing | Makoto Seki | Editor |
| Art | Junpei Azuma | Prop Designer |
| Art | Nozomi Ishii | Prop Designer |
| Art | Yoshiyuki Okada | Concept Artist |
| Art | Shinji Tsutsumi | Prop Designer |
| Sound | Shinji Tsutsumi | Sound Effects |
| Sound | Keiichi Okabe | Sound Post Production Coordinator |
| Visual Effects | Masaki Suyama | Visual Effects |
| Visual Effects | Yuta Takeuchi | Visual Effects |
| Visual Effects | Katsuyoshi Yoshizawa | Effects Supervisor |
| Visual Effects | Kimihiro Ueno | Modelling Supervisor |
| Visual Effects | Suguru Tanaka | Modeling |
| Visual Effects | Kazuyuki Ono | Modeling |
| Crew | Kazuyuki Ono | Compositor |
| Visual Effects | Hosei Takakubo | Pre-Visualization Coordinator |
| Visual Effects | Hirobumi Okuyama | Modeling |
| Crew | Toru Okazawa | Compositor |
| Visual Effects | Toru Okazawa | Modeling |
| Visual Effects | Kazuo Miyamoto | Modelling Supervisor |
| Visual Effects | Takahiro Miura | Pre-Visualization Supervisor |
| Crew | Kazuo Mitsuyama | Compositor |
| Visual Effects | Kiyonobu Kitada | Modelling Supervisor |
| Visual Effects | Takahiko Kawamura | Modeling |
| Visual Effects | Taiyo Hasegawa | Pre-Visualization Supervisor |
| Visual Effects | Kenji Arakawa | Modeling |
| Visual Effects | Takahiro Miura | Animation Director |
| Art | Naoki Kumazawa | Background Designer |
| Visual Effects | Kazuki Eigen | Animation |
| Visual Effects | Makoto Seki | Animation |
| Visual Effects | Masagoro Tsuda | Animation |
| Visual Effects | Hidekazu Yamada | Animation |
| Visual Effects | Manabu Konno | Animation Director |
| Art | Michito Nishino | Background Designer |
| Art | Tomohiro Kagawa | Background Designer |
| Art | Akihiro Matsuo | Background Designer |
| Art | Asuka Ogiwara | Background Designer |
| Art | Akira Ono | Background Designer |
| Art | Nobunao Ono | Background Designer |
| Visual Effects | Takuma Okuno | Animation |
| Production | Tomoyuki Hasegawa | Researcher |
| Art | Daisuke Ino | Additional Construction |
| Crew | Kazunori Kono | Title Graphics |
| Production | Yasumasa Kutami | Business Affairs Coordinator |
| Crew | Kenji Nishino | Systems Administrators & Support |
| Crew | Shigeyoshi Takahashi | Systems Administrators & Support |
| Crew | Kei Yonezuka | Production Controller |
| Crew | Masataka Koyama | Thanks |
| Crew | Takeru Nakajima | Thanks |
| Crew | Kaori Nishimoto | Thanks |
| Crew | Kei Ogasawara | Thanks |
| Crew | Noboru Oki | Thanks |
| Crew | Tomoya Saito | Thanks |
| Crew | Tetsuya Sonoda | Thanks |
| Crew | Takayuki Tanaka | Thanks |
