Two girls go away to a holiday resort looking for a change of pace, hoping to meet some nice men for a change. They discover that they can't find the perfect man, and this forces them to reconsider their attitudes to men in general.
| Directing | Geneviève Robert | Director |
| Production | Todd M. Thaler | Local Casting |
| Sound | David Brownlow | Sound Mixer |
| Sound | Howard Neiman | Sound Editor |
| Sound | Dan Engstrom | Assistant Sound Editor |
| Sound | Blake R. Cornett | Assistant Sound Editor |
| Editing | Saul Saladow | Assistant Editor |
| Production | Glenis Wootton Gross | Casting Associate |
| Editing | Donn Cambern | Editor |
| Editing | Jeffrey James Bell | Assistant Editor |
| Art | Julie Kaye Fanton | Set Decoration |
| Costume & Make-Up | Grania Preston | Costume Design |
| Costume & Make-Up | Enid Arias | Hairstylist |
| Production | Sandy Webb | Production Coordinator |
| Sound | Diane DeLouise Wessel | Assistant Music Supervisor |
| Production | Stanzi Stokes | Casting |
| Camera | Rolf Kestermann | Director of Photography |
| Production | Dianne Ketchum Friedgen | Assistant Location Manager |
| Sound | Doreen A. Dixon | ADR Editor |
| Sound | Van Dyke Parks | Original Music Composer |
| Writing | Judy Toll | Screenplay |
| Art | Phil Dagort | Art Direction |
| Camera | Art Martin | Additional Camera |
| Costume & Make-Up | Ann Masterson | Makeup Artist |
| Production | Sandra Turnham | Production Accountant |
| Art | Len Morganti | Storyboard Artist |
| Crew | David Marder | Transportation Coordinator |
| Directing | Betsy Magruder | First Assistant Director |
| Camera | Dale Myrand | Additional Camera |
| Camera | Fred Vicarel | Dolly Grip |
| Production | Ilona Herzberg | Producer |
| Production | Sally Perle | Extras Casting |
| Sound | Don MacDougall | Sound Re-Recording Mixer |
| Sound | Robert W. Glass Jr. | Sound Re-Recording Mixer |
| Art | Randy Ser | Production Design |
| Production | Sheldon Kahn | Producer |
| Art | Harriet Polite | Graphic Designer |
| Sound | Curt Sobel | Music Editor |
| Editing | Sheldon Kahn | Editor |
| Writing | Wendy Goldman | Screenplay |
| Production | Kool Marder | Associate Producer |
| Camera | Roxanne di Santo | Second Assistant Camera |
| Camera | Luke Wynne | Still Photographer |
| Production | Ivan Reitman | Executive Producer |
| Camera | Timothy Roarke | Assistant Camera |
| Art | Robert Johnson | Leadman |
| Art | Deborah Schildt | Property Master |
| Art | Elizabeth Flaherty | Art Department Coordinator |
| Crew | Marlo Hellerstein | Transportation Captain |
| Sound | Tom C. McCarthy | Supervising Sound Editor |
| Sound | Mary Jo Devenney | Boom Operator |
| Directing | Marilyn Bailey | Script Supervisor |
| Art | Raymond Camaioni | Construction Coordinator |
| Art | Bruce Bellamy | Set Dresser |
| Art | Malcolm Hitchcock | Assistant Property Master |
| Sound | Peter Afterman | Music Supervisor |
| Crew | Russell Paris | Post Production Supervisor |
| Sound | Mark Gordon | Sound Editor |
| Sound | Todd Hayen | Orchestrator |
| Directing | Terence J. Edwards | Second Assistant Director |
| Camera | Elizabeth Ziegler | Steadicam Operator |
| Production | Joseph A. Liuzzi | Location Manager |
| Lighting | Patrick Melly | Gaffer |
| Crew | Eddie Paul | Stunt Coordinator |
| Sound | Roxanne Jones McCarthy | Sound Editor |
| Sound | Fred Judkins | Sound Editor |
| Sound | Bob Minkler | Sound Re-Recording Mixer |
