Constance, a poor but aspiring composer, meets the great conductor, Franz, through their old music teacher. They fall in love, despite Constance knowing about Franz's weakness for pretty women.
Directing | Philip Moeller | Director |
Writing | Sarah Y. Mason | Screenplay |
Writing | Victor Heerman | Screenplay |
Writing | Anthony Veiller | Screenplay |
Writing | Lester Cohen | Story |
Costume & Make-Up | Mel Berns | Makeup Artist |
Production | Pandro S. Berman | Producer |
Camera | Robert De Grasse | Director of Photography |
Editing | William Hamilton | Editor |
Art | Van Nest Polglase | Art Direction |
Costume & Make-Up | Bernard Newman | Costume Design |
Directing | Jane Murfin | Continuity |
Art | Carroll Clark | Assistant Art Director |
Sound | John E. Tribby | Recording Supervision |
Sound | Philip Faulkner Jr. | Recording Supervision |
Production | C. J. White | Production Manager |
Production | Elizabeth McGaffey | Researcher |
Crew | Patricia Doyle | Stand In |
Crew | Newton House | Stand In |
Crew | Charles Darwin | Stand In |
Sound | Max Steiner | Music Director |
Directing | Jane Loring | Assistant Director |