In the near future, gas prices are at an astronomical high. One man is determined to find an alternate fuel source. That alternate fuel source turns out to be blood...HUMAN BLOOD.
| Writing | Adam Pinney | Screenplay |
| Directing | Alex Orr | Director |
| Writing | Alex Orr | Screenplay |
| Production | Tona Kaplan | Production Coordinator |
| Costume & Make-Up | Stephanie Aylworth | Costume Designer |
| Production | Becky Campbell | Production Manager |
| Crew | Kari Hazlett | Craft Service |
| Art | Brit Dunn | Painter |
| Sound | Aron Siegel | Sound Mixer |
| Directing | Glenda Richardson | Script Supervisor |
| Production | Taylor Hart | Location Manager |
| Lighting | Brent Bazinski | Best Boy Electric |
| Art | Adam K. Thompson | Swing |
| Art | Phoebe Brown | Props |
| Production | Alex Calderon | Production Assistant |
| Camera | Nick Montalvo | Best Boy Grip |
| Production | Adam Sanders | Production Assistant |
| Crew | Jon Swindall | Post Production Supervisor |
| Production | Molly Brock | Casting |
| Production | Neil Huber | Production Assistant |
| Lighting | Chris Antignane | Gaffer |
| Camera | Mike Germon | Grip |
| Sound | Allen Lee Williams III | Boom Operator |
| Art | Chris Khodadai | Swing |
| Art | Aaron Barnes | Leadman |
| Costume & Make-Up | Max McDonough | On Set Dresser |
| Editing | Adam Pinney | Editor |
| Production | Robert Paraguassu | Production Designer |
| Camera | Linnea Frye | Still Photographer |
| Production | Melissa Randle | Production Assistant |
| Sound | Sherry Waters | Boom Operator |
| Camera | Tom Pritchard | Grip |
| Writing | Hugh Braselton | Story |
| Writing | Alex Orr | Story |
| Writing | Adam Pinney | Story |
| Production | Tony Holley | Executive Producer |
| Production | Alex Orr | Producer |
| Production | Adam Pinney | Producer |
| Camera | Adam Pinney | Director of Photography |
| Directing | Hugh Braselton | Second Unit Director |
| Directing | Alex Lorre | Second Unit Director |
| Crew | Alex Lorre | Stunt Driver |
| Camera | Ted Sapp | Grip |
