Mak Kar, a faithful and honest constable, was ordered to arrest Dean Saki, a pickpocket. However, each time he was caught, he was released by lack of evidence. Although Dean was a tricky man, the money he pickpocketed from those dirty rich people was spent on the seven poor orphans with whom he lived in an old shaky church. Dean had an intention to buy a house where he could keep more orphans.
| Directing | Wu Ma | Director |
| Directing | Chu Yat-Hung | Assistant Director |
| Writing | Raymond Wong | Story |
| Directing | Hui Wan | Script Supervisor |
| Crew | Manny Hoh Ming | Cinematography |
| Lighting | Fung Liu | Lighting Director |
| Art | Yuen Tai-Yung | Art Designer |
| Costume & Make-Up | Yiu Hiu | Costumer |
| Costume & Make-Up | Chan Wing-Yee | Makeup Artist |
| Costume & Make-Up | Ng Yuet-Oi | Hair Designer |
| Editing | Tony Chow Kwok-Chung | Editor |
| Art | Tam Wing-Cheong | Props |
| Sound | Frankie Chan Fan-Kei | Music |
| Sound | Joseph Koo | Original Music Composer |
| Sound | Dean Shek | Theme Song Performance |
| Crew | Lau Siu-Ming | Choreographer |
| Production | James Lai Wing-Keung | Production Manager |
| Production | Chiu Ping-Kwong | Unit Manager |
| Camera | Lee Cheung | Still Photographer |
| Sound | Wong Chok-Poon | Foley |
| Production | Karl Maka | Producer |
