Georges Duroy travels through 1890s Paris, from cockroach ridden garrets to opulent salons, using his wits and powers of seduction to rise from poverty to wealth, from a prostitute’s embrace to passionate trysts with wealthy beauties, in a world where politics and media jostle for influence, where sex is power and celebrity an obsession.
You can now watch Bel Ami online on the following streaming providers in the United States.
| Directing | Nick Ormerod | Director |
| Directing | Declan Donnellan | Director |
| Writing | Guy de Maupassant | Novel |
| Writing | Rachel Bennette | Screenplay |
| Production | Uberto Pasolini | Producer |
| Production | Simon Fuller | Executive Producer |
| Production | Laurie Borg | Co-Producer |
| Production | Ceri Hughes | Associate Producer |
| Production | Ildikó Kemény | Associate Producer |
| Production | Susie Figgis | Casting |
| Sound | Lakshman Joseph De Saram | Original Music Composer |
| Sound | Rachel Portman | Original Music Composer |
| Camera | Stefano Falivene | Director of Photography |
| Art | Attila Kovács | Production Design |
| Editing | Masahiro Hirakubo | Editor |
| Editing | Gavin Buckley | Editor |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Costume & Make-Up | Jenny Shircore | Makeup Designer |
| Costume & Make-Up | Jenny Shircore | Hair Designer |
| Directing | Josh Robertson | First Assistant Director |
| Production | Jennifer Wynne | Production Manager |
| Production | Louise O'Malley | Production Accountant |
| Art | Mark Raggett | Supervising Art Director |
| Sound | Simon Hayes | Production Sound Mixer |
| Sound | Robert Farr | Sound Re-Recording Mixer |
| Crew | Lee Sheward | Stunt Coordinator |
| Crew | Marc Cass | Stunt Coordinator |
| Editing | Neil Williams | First Assistant Editor |
| Crew | Jane Gibson | Choreographer |
| Camera | Hagen Bogdanski | Additional Photography |
| Lighting | John Colley | Gaffer |
| Directing | Zoe Morgan | Script Supervisor |
| Production | Valentina Coccia | Production Coordinator |
| Production | Kirsty Kinnear | Casting Assistant |
| Directing | Nick Shuttleworth | Second Assistant Director |
| Directing | Tom Brewster | Third Assistant Director |
| Camera | Stuart Howell | Camera Operator |
| Camera | Stuart Howell | Steadicam Operator |
| Camera | Robert Patzelt | Camera Operator |
| Camera | Robert Patzelt | Steadicam Operator |
| Camera | Kerry Brown | Still Photographer |
| Sound | Arthur Fenn | Boom Operator |
| Costume & Make-Up | Natalie Humphries | Assistant Costume Designer |
| Costume & Make-Up | Jane Petrie | Costume Supervisor |
| Costume & Make-Up | Joe Hopker | Makeup Artist |
| Costume & Make-Up | Joe Hopker | Hairstylist |
| Costume & Make-Up | Lizzie Lawson | Makeup Artist |
| Costume & Make-Up | Lizzie Lawson | Hairstylist |
| Costume & Make-Up | Jon Henry Gordon | Makeup Artist |
| Costume & Make-Up | Jon Henry Gordon | Hairstylist |
| Lighting | Vince Madden | Rigging Gaffer |
| Production | Dan Whitty | Location Manager |
| Production | Michael Harm | Location Manager |
| Art | Dean Clegg | Art Direction |
| Art | Alexandra Collins | Assistant Art Director |
| Art | Anna Lynch-Robinson | Set Decoration |
| Art | Sophie Neil | Art Department Assistant |
| Art | Terry Woods | Property Master |
| Visual Effects | Stuart Brisdon | Special Effects Supervisor |
| Sound | Jeff Atmajian | Orchestrator |
| Sound | Lakshman Joseph De Saram | Orchestrator |
| Sound | Rachel Portman | Orchestrator |
| Crew | Gisela Evert | Post Production Supervisor |
| Sound | Robert Farr | Supervising Sound Editor |
| Sound | Sam Southwick | ADR Editor |
| Editing | Sam Southwick | Dialogue Editor |
| Sound | Yann McCullough | Music Editor |
| Sound | Ian Wilson | Sound Effects Editor |
| Visual Effects | Sean Farrow | Visual Effects Supervisor |
| Crew | Ginger Corbett | Unit Publicist |
| Crew | Phil Cairns | Unit Publicist |
| Crew | Lizzy Follows | Unit Publicist |
| Production | Vanessa Baker | ADR Voice Casting |
