Martial arts expert Matt Hunter was one of the most promising operatives in Army intelligence until his parents were killed by terrorists, and he retired to the family's farm in Louisiana to take care of his 12-year-old sister Sara and their grandfather Jimmy. Larry Richards, a black man running for the Senate, is one of Matt's best friends. Larry has become the target of The Pentangle, a racist organization led by a man named Glastenbury, and Glastenbury doesn't want Larry to be elected. In an attempt on Larry's life during a Mardi Gras parade in New Orleans, The Pentangle kills one of Larry's sons. Matt lets Larry, his wife Daisy, and his other son move to the remotely located farm so they can hide from Glastenbury and the Pentangle, but the Pentangle strikes again, setting the farmhouse on fire. Matt and Sara escape as the only survivors. Then the Pentangle kidnaps Sara, sending Matt on a mission to rescue Sara from Glastenbury and the Pentangle
| Writing | James Booth | Writer |
| Directing | Sam Firstenberg | Director |
| Production | Menahem Golan | Producer |
| Art | Marcia Hinds | Production Design |
| Costume & Make-Up | Audrey M. Bansmer | Costume Design |
| Costume & Make-Up | Gábor Kernyaiszky | Makeup Artist |
| Sound | Jim Borgardt | Dialogue Editor |
| Sound | Paula Erickson | Music Supervisor |
| Production | Robert MacDonald | Casting |
| Art | Ron Woods | Property Master |
| Sound | Greg Jacobs | ADR Editor |
| Sound | Ed Callahan | Sound Effects Editor |
| Production | Suzy Beugen | Production Coordinator |
| Art | David C. Potter | Leadman |
| Sound | Elliot Deitch | Sound Effects Editor |
| Crew | Michael R. Sloan | Post Production Supervisor |
| Production | Perry Bullington | Casting |
| Art | Kyle Seidenbaum | Title Designer |
| Sound | Prometheus Patient | Boom Operator |
| Camera | Sean McLin | Camera Operator |
| Sound | George S. Clinton | Original Music Composer |
| Art | Judy K. Nelson | Art Department Coordinator |
| Sound | Donald L. Warner Jr. | Foley Editor |
| Crew | William Purcell | Special Effects Coordinator |
| Camera | Neil Alexander | Still Photographer |
| Lighting | Timothy 'Guido' Magaraci | Best Boy Electrician |
| Lighting | James R. Tynes | Gaffer |
| Editing | Michael J. Duthie | Editor |
| Art | Michele Starbuck | Set Decoration |
| Sound | Barbara Barnaby | Dialogue Editor |
| Sound | Noah Blough | Sound Effects Editor |
| Camera | Michael Uva | Key Grip |
| Costume & Make-Up | Moni Mansano | Makeup Supervisor |
| Art | Wenden K. Baldwin | Title Designer |
| Sound | Joe E. Rand | Orchestrator |
| Sound | Solange S. Schwalbe | Sound Effects Editor |
| Directing | Sharon 'Mae' West | Script Supervisor |
| Camera | Gideon Porath | Director of Photography |
| Crew | BJ Davis | Stunt Coordinator |
| Sound | Virginia S. Ellsworth | Music Editor |
| Directing | Sharon Mann | First Assistant Director |
| Sound | Sandy Gendler | Supervising Sound Editor |
| Sound | Terry Porter | Sound Re-Recording Mixer |
| Sound | Steve Mccroskey | Music Editor |
| Sound | Zack Davis | Sound Effects Editor |
| Sound | David J. Hudson | Sound Re-Recording Mixer |
| Camera | Jorgen Wedseltoft | First Assistant Camera |
| Production | Yoram Globus | Producer |
| Art | Bo Johnson | Art Direction |
| Sound | Clement Barclay | Foley Editor |
| Sound | Mel Metcalfe | Sound Re-Recording Mixer |
| Editing | Robert Baird | First Assistant Editor |
| Crew | BJ Davis | Stunt Double |
| Directing | BJ Davis | Second Unit Director |
| Crew | BJ Davis | Stunts |
| Crew | Kane Hodder | Stunts |
