In Victorian England, wealthy patriarch Sir Harald Alabaster invites an impoverished biologist, William Adamson, into his home. There, William tries to continue his work, but is distracted by Alabaster's seductive daughter, Eugenia. William and Eugenia begin a torrid romance, but as the couple become closer, the young scientist begins to realize that dark, disturbing things are happening behind the closed doors of the Alabaster manor.
| Writing | Belinda Haas | Screenplay |
| Writing | Philip Haas | Screenplay |
| Directing | Philip Haas | Director |
| Camera | Bernard Zitzermann | Director of Photography |
| Writing | A.S. Byatt | Story |
| Art | Alison Riva | Art Direction |
| Art | Jennifer Kernke | Production Design |
| Lighting | Eric Baraillon | Gaffer |
| Production | Kerry Orent | Producer |
| Production | Celestia Fox | Casting |
| Crew | Kim Brandstrup | Choreographer |
| Costume & Make-Up | Jane Hamilton | Costume Supervisor |
| Camera | Simon Mein | Still Photographer |
| Camera | Alex Bailey | Still Photographer |
| Sound | Michael Barry | Sound Re-Recording Mixer |
| Camera | Kevin Flay | Camera Operator |
| Sound | Wendy Hedin | Supervising Sound Editor |
| Sound | Annette Kudrak | Music Editor |
| Costume & Make-Up | Sarah Monzani | Makeup Artist |
| Production | Belinda Haas | Producer |
| Costume & Make-Up | Martin Samuel | Hairstylist |
| Editing | Belinda Haas | Editor |
| Directing | Danuta Skarszewska | Script Supervisor |
| Sound | Brian Vancho | Foley |
| Production | Joyce Herlihy | Producer |
| Costume & Make-Up | Paul Brown | Costume Design |
| Sound | George A. Lara | Foley |
| Sound | Alexander Bălănescu | Original Music Composer |
| Sound | Colin Nicolson | Sound |
