Following the death of his employer and mentor, Bumpy Johnson, Frank Lucas establishes himself as the number one importer of heroin in the Harlem district of Manhattan. He does so by buying heroin directly from the source in South East Asia and he comes up with a unique way of importing the drugs into the United States. Partly based on a true story.
Production | Avy Kaufman | Casting |
Production | Brian Grazer | Producer |
Directing | Ridley Scott | Director |
Production | Ridley Scott | Producer |
Production | Branko Lustig | Executive Producer |
Costume & Make-Up | Janty Yates | Costume Design |
Art | Arthur Max | Production Design |
Editing | Pietro Scalia | Editor |
Writing | Steven Zaillian | Screenplay |
Production | Steven Zaillian | Executive Producer |
Production | Jonathan Filley | Co-Producer |
Art | Leslie E. Rollins | Set Decoration |
Production | Nicholas Pileggi | Executive Producer |
Camera | Harris Savides | Director of Photography |
Art | Beth A. Rubino | Set Decoration |
Sound | Dino DiMuro | Sound Effects Editor |
Sound | Christopher Assells | Sound Effects Editor |
Sound | Per Hallberg | Supervising Sound Editor |
Art | Nicholas Lundy | Art Direction |
Directing | Alexander Witt | Second Unit Director |
Writing | Mark Jacobson | Writer |
Production | Michael Costigan | Executive Producer |
Production | Jim Whitaker | Executive Producer |
Sound | Marc Streitenfeld | Original Music Composer |
Crew | Muhammad Ali | Thanks |
Sound | Rick Canelli | ADR Recordist |
Crew | Joe Frazier | Thanks |
Sound | Craig Kyllonen | ADR Recordist |
Editing | David Orr | Color Timer |
Crew | Peter Epstein | Stunts |
Crew | John Cenatiempo | Utility Stunts |
Sound | Kimaree Long | Dialogue Editor |
Camera | Craig Haagensen | Camera Operator |
Camera | Larry McConkey | Camera Operator |
Camera | Larry McConkey | Steadicam Operator |
Editing | Billy Rich | First Assistant Editor |
Crew | Aaron Vexler | Stunts |
Sound | Del Spiva | Music Editor |
Crew | G. A. Aguilar | Stunt Coordinator |
Crew | David Gere | Stunts |
Sound | John Roesch | Foley Artist |
Costume & Make-Up | Hartsell Taylor | Set Costumer |
Sound | Jon Title | Sound Effects Editor |
Sound | Frederick H. Stahly | Dialogue Editor |
Costume & Make-Up | Felice Diamond | Makeup Artist |
Costume & Make-Up | Carl Fullerton | Makeup Artist |
Sound | Douglas Murray | ADR Mixer |
Sound | Bob Beemer | Sound Re-Recording Mixer |
Sound | Alyson Dee Moore | Foley Artist |
Sound | Michael Minkler | Sound Re-Recording Mixer |
Production | Angela Quiles | Production Coordinator |
Sound | Michelle Pazer | ADR Editor |
Crew | Teresa Kelly | Post Production Supervisor |
Sound | Karen Baker Landers | Supervising Sound Editor |
Sound | Peter Staubli | Sound Effects Editor |
Crew | Rob Harris | Unit Publicist |
Sound | Chris Hogan | ADR Editor |
Sound | Dan Hegeman | Sound Effects Editor |
Sound | Chris Jargo | Supervising ADR Editor |
Costume & Make-Up | Bert Reo Anderson | Hairstylist |
Costume & Make-Up | Kenneth Walker | Hair Department Head |
Sound | Howard London | ADR Mixer |
Crew | Jill Brown | Stunts |
Sound | Mary Jo Lang | Foley Mixer |
Directing | Mary A. Kelly | Script Supervisor |
Production | Elizabeth Greenberg | Casting Associate |
Sound | Beauxregard Neylon | ADR Mixer |
Sound | Kathy Nelson | Music Supervisor |
Camera | David Lee | Still Photographer |
Crew | Aja Frary | Stunt Double |
Art | Peter Gelfman | Property Master |
Crew | Chris Cenatiempo | Stunts |
Sound | William Sarokin | Production Sound Mixer |
Crew | Caroline Vexler | Stunt Driver |
Sound | George Leong | Boom Operator |
Art | Julia G. Hickman | Art Department Coordinator |
Crew | Gabriel Hansen | Stunts |
Camera | Matt Blades | Grip |
Directing | Darin Rivetti | First Assistant Director |
Sound | Thomas J. O'Connell | ADR Mixer |
Directing | Noreen R. Cheleden | Second Assistant Director |
Crew | Jodi Pynn | Stunts |
Production | Patrick Tendai Pfupajena | Production Assistant |
Crew | Kimberly Shannon Murphy | Stunts |
Crew | Lisa Cohen | Stunts |