Julia Dogra-Brazell works with film, video, sound and the still image in the context of experimental narrative. She studied literature at London and Cambridge Universities in the eighties. In the late nineties, she shifted an acquired interest in storytelling, poetry, history and memory to the context of visual culture. Common to all Dogra-Brazell’s works, irrespective of medium, is the idea of art as a prime means of resistance to habitual modes of analysis.
