Alla Nazimova

Alla Nazimova

  • Birthday: 1879-06-03
  • Deathday: 1945-07-13
  • Place of birth: Yalta, Taurida Governorate, Russian Empire [now Crimea, Ukraine]
  • Also know as: Alla Nazimoff

Biography

From Wikipedia Alla Nazimova (Russian and Ukrainian: Алла Назимова; 3 June [O.S. 22 May] 1879 – 13 July 1945) was an American film and theatre actress, a screenwriter, and film producer. She is perhaps best known as simply Nazimova, but also went under the name Alia Nasimoff. She emigrated to the United States from the Russian Empire. In 1927, Nazimova became a naturalized citizen of the United States. She was signed up by the American producer Henry Miller and made her Broadway debut in New York City, in 1906 to critical and popular success. She quickly became extremely popular (a theatre was named after her) and remained a major Broadway star for years, often acting in the plays of Henrik Ibsen and Anton Chekhov. Dorothy Parker described her as the finest Hedda Gabler she had ever seen. Due to her notoriety in a 35-minute 1915 play entitled War Brides, Nazimova made her silent film debut in 1916 in the filmed version of the play, which was produced by Lewis J. Selznick. A young actor with a bit part in the movie was Richard Barthelmess whose mother taught Nazimova English. In 1917, she negotiated a contract with Metro Pictures, a precursor to MGM, that included a weekly salary of $13,000. She moved from New York to Hollywood, where she made a number of highly successful films for Metro that earned her considerable money. She was influential in the film industry in the silent era and continued to play character roles until the end of her life. Between the years of 1917 and 1922 Nazimova wielded considerable influence and power in Hollywood. By all accounts she was extremely generous to young actresses in whom she saw talent and became involved with at least some of them romantically. By 1925 Nazimova could no longer afford to invest in more films; and financial backers withdrew their support. Left with few options, she gave up on the film industry, returning to perform on Broadway, notably starring as Natalya Petrovna in Rouben Mamoulian's 1930 New York production of Turgenev's A Month in the Country and an acclaimed performance as Mrs. Alving in Ibsen's Ghosts. In the early 1940s, she appeared in a few more films, playing Robert Taylor's mother in Escape (1940) and Tyrone Power's mother in Blood and Sand (1941). This late return to motion pictures fortunately preserves Nazimova and her art on sound film. She died of a coronary thrombosis, age 66, in the Good Samaritan Hospital in Los Angeles. Her ashes were interred in Forest Lawn Memorial Park Cemetery in Glendale, California. Her contributions to the film industry have been recognized with a star on the Hollywood Walk of Fame.

Filmography

Since You Went Away

1944

As Zofia Koslowska

Blood and Sand

1941

As Senora Augustias

Salomé

1922

As Salomé

Escape

1940

As Emmy Ritter

The Bridge of San Luis Rey

1944

As Doña Maria - The Marquesa

Camille

1921

As Marguerite Gautier

The Red Lantern

1919

As Mahlee & Blanche Sackville

Out of the Fog

1919

As Faith / Eve

War Brides

1916

As Joan

A Doll's House

1922

As Nora Helmer

Eye for Eye

1918

As Hassouna

Billions

1920

As Princess Triloff

Madame Peacock

1920

As Jane Goring / Gloria Cromwell

Behind Natacha Rambova's Shadow

2019

As Various Roles (archive footage)

Revelation

1918

As Joline

Stronger Than Death

1920

As Sigrid Fersen

My Son

1925

As Ana Silva

Madonna of the Streets

1924

As Mary Carlson / Mary Ainsleigh

In Our Time

1944

As Zofia Orwid (as Nazimova)

The Heart of a Child

1920

As Sally Snape (as Nazimova)

The Legend of Rudolph Valentino

1961

As Self (archive footage)

The Brat

1919

As The Brat

Toys of Fate

1918

As Zorah / Hagah

A Woman of France

1918

As Louise

The Redeeming Sin

1925

As Joan

Screen Snapshots (Series 22, No. 10)

1942

As Self (archive footage)

Production

Salomé

1922

As Producer

A Doll's House

1922

As Producer

A Doll's House

1922

As Writer

Eye for Eye

1918

As Director

Madame Peacock

1920

As Adaptation

Madame Peacock

1920

As Producer

Billions

1920

As Editor

The Brat

1919

As Writer

Madame Peacock

1920

As Writer

Salomé

1922

As Director

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