World War II provides the setting for a melodramatic tale of love and revenge.
| Directing | Gregory Nava | Director |
| Writing | Gregory Nava | Writer |
| Writing | Anna Thomas | Writer |
| Art | Dan Perri | Title Designer |
| Editing | Betsy Blankett Milicevic | Editor |
| Sound | Ennio Morricone | Music |
| Production | Wallis Nicita | Casting |
| Costume & Make-Up | Durinda Wood | Costume Design |
| Camera | James Glennon | Director of Photography |
| Art | Henry Bumstead | Production Design |
| Production | Carolyn Pfeiffer | Executive Producer |
| Production | Shep Gordon | Executive Producer |
| Production | Anna Thomas | Producer |
| Crew | Eddie Stacey | Stunt Coordinator |
| Production | Sue Baden-Powell | Executive In Charge Of Production |
| Directing | J. Stephen Buck | First Assistant Director |
| Production | Mary McLaglen | Unit Manager |
| Directing | Benita Brazier | Script Supervisor |
| Art | Les Gobruegge | Art Direction |
| Art | Anne Kuljian | Set Decoration |
| Art | Bill Luckey | Construction Coordinator |
| Costume & Make-Up | Daniel Parker | Key Makeup Artist |
| Costume & Make-Up | Amanda Chamberlin | Costume Supervisor |
| Lighting | Dan Gillham | Gaffer |
| Sound | Stephan von Hase | Sound Mixer |
| Sound | Michael Linn | Music Editor |
| Sound | Richard King | Supervising Sound Editor |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Reid Burns | Color Timer |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Sound | Gary Alexander | Sound Re-Recording Mixer |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Sound | Barbara McBane | Dialogue Editor |
| Crew | Debbie Evans | Stunts |
| Crew | Andy Gill | Stunts |
| Crew | Jack Gill | Stunt Coordinator |
