The recently widowed mother of two, Sarah, is desperate to know who murdered her husband in front of her young son, rendering him mute. Coerced into helping a low-life drug dealer stash narcotics stolen from the local Mr. Big, she's forced into taking drastic action to protect her children, evolving from downtrodden submissive to take-charge vigilante.
You can now watch A Good Woman Is Hard to Find online on the following streaming providers in the United States.
| Production | Jan Pace | Executive Producer |
| Writing | Ronan Blaney | Writer |
| Production | James Atherton | Executive Producer |
| Production | Junyoung Jang | Producer |
| Art | Gillian Devenney | Production Design |
| Production | Jean-Yves Roubin | Producer |
| Directing | Abner Pastoll | Director |
| Production | Guillaume Benski | Producer |
| Camera | Richard C Bell | Director of Photography |
| Production | Jang Won-seok | Executive Producer |
| Visual Effects | Nicolas Corson | Digital Compositor |
| Visual Effects | Stéphanie Pottier | Visual Effects Coordinator |
| Costume & Make-Up | Liz Boston | Makeup Artist |
| Directing | Laurie Mahon | First Assistant Director |
| Sound | Nick Baldock | Supervising Sound Editor |
| Art | Megan Britton | Set Decoration |
| Editing | Abner Pastoll | Editor |
| Costume & Make-Up | Elise Ancion | Costume Design |
| Directing | Dario Cappellini | Third Assistant Director |
| Directing | Neil Winterlich | Second Assistant Director |
| Directing | Maéva Buisse | Second Assistant Director |
| Crew | Joe Condren | Stunt Coordinator |
| Production | Cassandre Warnauts | Co-Producer |
| Production | Abner Pastoll | Executive Producer |
| Sound | Paul Heymans | Production Sound Mixer |
| Production | Ronan Blaney | Associate Producer |
| Camera | Reece Hearnshaw | Grip |
| Sound | Thomas Berliner | Boom Operator |
| Sound | Matthew Pusti | Original Music Composer |
| Production | Jean-Yves Roubin | Co-Producer |
| Production | Lee Bum-su | Executive Producer |
| Production | Mathilde Snodgrass | Casting |
| Production | Carla Stronge | Casting |
| Production | Marie-Thérése Mackle | Production Manager |
| Production | Molly Stack | Production Coordinator |
| Directing | Orla Finucane | Script Supervisor |
| Production | Michael Hooley | Casting Associate |
| Camera | Joe Ransom | "B" Camera Operator |
| Camera | Ondřej Rybár | Focus Puller |
| Camera | Tanmoye Khan | Second Assistant Camera |
| Camera | Cel Bothwell-Fitzpatrick | Digital Imaging Technician |
| Lighting | Brian Livingstone | Gaffer |
| Lighting | Steven Livingstone | Best Boy Electric |
| Art | Andrew Robinson | Assistant Art Director |
| Art | Neal Hughes | Property Master |
| Art | Catherine Brannigan | Property Buyer |
| Art | Virginia Apicella | Standby Art Director |
| Art | Benen Dillon | Art Department Assistant |
| Camera | Joanne Mullin | Still Photographer |
| Camera | Christopher Barr | Still Photographer |
| Editing | Lauren L'Estrange | Assistant Editor |
| Editing | Stéphanie Merken | Assistant Editor |
| Production | Catherine Geary | Location Manager |
| Sound | Peter Baldock | Sound Designer |
| Sound | Adrian Furdui | Supervising Dialogue Editor |
| Sound | James Matthews | Foley Editor |
| Sound | Olivia Celeste Barry | Sound Editor |
| Sound | Kristiana Udre | Foley Artist |
| Sound | Patrick Singer | Foley Artist |
| Costume & Make-Up | Dan Martin | Special Effects Makeup Artist |
