In occupied Berlin, a US Army Captain is torn between an ex-Nazi cafe singer and the US Congresswoman investigating her.
| Writing | Richard L. Breen | Screenplay |
| Writing | David Shaw | Original Story |
| Writing | Robert Harari | Adaptation |
| Writing | Billy Wilder | Screenplay |
| Writing | Charles Brackett | Screenplay |
| Directing | Billy Wilder | Director |
| Costume & Make-Up | Edith Head | Costume Design |
| Camera | Charles Lang | Director of Photography |
| Production | Charles Brackett | Producer |
| Art | Hans Dreier | Art Direction |
| Sound | Friedrich Hollaender | Original Music Composer |
| Art | Walter H. Tyler | Art Direction |
| Art | Sam Comer | Set Decoration |
| Art | Ross Dowd | Set Decoration |
| Editing | Doane Harrison | Editor |
| Sound | Hugo Grenzbach | Sound Recordist |
| Sound | Walter Oberst | Sound Recordist |
| Costume & Make-Up | Wally Westmore | Makeup Supervisor |
| Crew | Gordon Jennings | Special Effects |
| Visual Effects | Farciot Edouart | Visual Effects |
| Visual Effects | Dewey Wrigley | Visual Effects |
| Directing | C.C. Coleman | Assistant Director |
| Production | Hugh Brown | Production Manager |
| Directing | Harry Hogan | Script Supervisor |
| Camera | Ed Crowder | Grip |
| Directing | Gerd Oswald | Second Assistant Director |
| Crew | Ronnie Lubin | Dialogue Coach |
