As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots of a tableau nature, each appearing to be a more or less random cross section of American reality, but which in total invoke a highly emblematic picture of the USA.
| Directing | Jørgen Leth | Director |
| Writing | Ole John | Writer |
| Editing | Kristian Levring | Editor |
| Sound | Jan Juhler | Sound |
| Sound | Morning Slayter | Sound |
| Camera | Dan Holmberg | Director of Photography |
