Ben Campbell is a young, highly intelligent student at M.I.T. who strives to succeed. Wanting a scholarship to transfer to Harvard School of Medicine to become a doctor, Ben learns that he cannot afford the $300,000 tuition as he comes from a poor, working-class background. But one evening, Ben is introduced by his unorthodox math professor to a small but secretive club of five students, Jill, Choi, Kianna, and Fisher, who are being trained by Professor Rosa to count cards at blackjack.
| Production | Dana Brunetti | Producer |
| Writing | Ben Mezrich | Novel |
| Production | Brett Ratner | Executive Producer |
| Production | Michael De Luca | Producer |
| Production | Francine Maisler | Casting |
| Directing | Robert Luketic | Director |
| Writing | Allan Loeb | Screenplay |
| Production | Ryan Kavanaugh | Executive Producer |
| Costume & Make-Up | Luca Mosca | Costume Design |
| Writing | Peter Steinfeld | Screenplay |
| Production | William S. Beasley | Executive Producer |
| Art | Missy Stewart | Production Design |
| Camera | Russell Carpenter | Director of Photography |
| Editing | Elliot Graham | Editor |
| Art | James F. Truesdale | Art Direction |
| Crew | Freddie Hice | Stunt Coordinator |
| Sound | Wade Wilson | Sound Effects Editor |
| Sound | Carlton Kaller | Music Editor |
| Visual Effects | Gray Marshall | Visual Effects Supervisor |
| Crew | John Ruggieri | Special Effects Coordinator |
| Sound | Laura Harris Atkinson | Dialogue Editor |
| Sound | David Sardy | Original Music Composer |
| Production | Bryan Thomas | Unit Production Manager |
| Production | William S. Beasley | Unit Production Manager |
| Directing | Justin Muller | First Assistant Director |
| Directing | John M. Morse | Second Assistant Director |
| Production | Sharyn Shimada-Huggins | Production Supervisor |
| Art | Tracey A. Doyle | Set Decoration |
| Art | David Gulick | Property Master |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Camera | David E. Diano | "A" Camera Operator |
| Camera | Will Arnot | "B" Camera Operator |
| Camera | Will Arnot | Steadicam Operator |
| Camera | Erik L. Brown | First Assistant "A" Camera |
| Camera | Patrick Quinn | First Assistant "B" Camera |
| Camera | Eric Swanek | First Assistant "B" Camera |
| Costume & Make-Up | Andrew Poleszak | Assistant Costume Designer |
| Costume & Make-Up | Caroline Errington | Costume Supervisor |
| Costume & Make-Up | Taryn Walsh | Key Costumer |
| Costume & Make-Up | Laurie Bramhall | Costumer |
| Costume & Make-Up | Parrish Kennington | Costumer |
| Costume & Make-Up | Vanessa Knoll | Costumer |
| Costume & Make-Up | Johanna Argan | Costumer |
| Costume & Make-Up | Tania McComas | Makeup Department Head |
| Costume & Make-Up | Trish Seeney | Key Makeup Artist |
| Costume & Make-Up | Marleen Alter | Makeup Artist |
| Costume & Make-Up | Lucia Mace | Hair Department Head |
| Costume & Make-Up | Elizabeth Cecchini | Key Hair Stylist |
| Lighting | Len Levine | Gaffer |
| Lighting | Carlos Bermudez | Best Boy Electric |
| Lighting | Scott D. Davis | Rigging Gaffer |
| Camera | Philip Sloan | Key Grip |
| Camera | Tony Campenni | Dolly Grip |
| Camera | Thomas Doran | Dolly Grip |
| Sound | Nelson Stoll | Production Sound Mixer |
| Sound | Brian Copenhagen | Boom Operator |
| Crew | Bryce Shields | Video Assist Operator |
| Production | Charles Harrington | Location Manager |
| Production | Mark Fitzgerald | Assistant Location Manager |
| Production | Shari LaFranchi Blakney | Production Coordinator |
| Production | Luke Poling | Assistant Production Coordinator |
| Production | Anne C. Ford | Production Accountant |
| Art | Joseph Kearney | Construction Coordinator |
| Art | Theodore Suchecki | Construction Foreman |
| Art | E. David Cosier | Set Designer |
| Art | Mick Cukurs | Set Designer |
| Art | George Lee | Set Designer |
| Art | Eric Bryant | Assistant Art Director |
| Art | Janine Moore | Art Department Coordinator |
| Art | Paul Richards | Leadman |
| Art | Jennifer Gerbino | Assistant Property Master |
| Art | Mark Vena | Storyboard Artist |
| Art | Mick Reinman | Storyboard Artist |
| Crew | Cid Swank | Unit Publicist |
| Camera | Peter Iovino | Still Photographer |
| Directing | Scott Rorie | Second Second Assistant Director |
| Production | Elizabeth Chodar | Casting Assistant |
| Crew | Tracy R. Spiegel | Craft Service |
| Editing | Liza D. Espinas | First Assistant Editor |
| Editing | Mark Hartzell | Assistant Editor |
| Sound | Michael D. Wilhoit | Supervising Sound Editor |
| Sound | Bob Bowman | Assistant Sound Editor |
| Sound | Scott Wolf | Sound Designer |
| Sound | Mark Gordon | Dialogue Editor |
| Sound | Bob Newlan | Dialogue Editor |
| Sound | Jessica Gallavan | ADR Editor |
| Sound | Kerry Ann Carmean | Foley Editor |
| Sound | Gary A. Hecker | Foley Artist |
| Sound | Michael J. Broomberg | Foley Artist |
| Sound | Brad Brock | Foley Mixer |
| Sound | Howard London | ADR Mixer |
| Sound | David Sardy | Music Supervisor |
| Editing | Mo Henry | Negative Cutter |
| Editing | Stephen Nakamura | Digital Colorist |
| Sound | Gary C. Bourgeois | Sound Re-Recording Mixer |
| Sound | Greg Orloff | Sound Re-Recording Mixer |
| Visual Effects | Ashley Clark | Visual Effects Producer |
| Crew | Jeffrey J. Dashnaw | Stunts |
| Crew | Susan Garfield | Stand In |
| Crew | Billy D. Lucas | Stunts |
| Crew | Mic Rodgers | Stunts |
| Crew | Danny Wynands | Stunts |
| Crew | Casey O'Neill | Stunt Double |
