A three year self-described labour of love, 2040 takes the form of a visual letter from the filmmaker to his four-year-old daughter Velvet, showing her what the year 2040 could look like “if we simply embraced the best solutions that exist today.”
| Visual Effects | William Gammon | Visual Effects Supervisor |
| Visual Effects | Sophie Raymond | Animation |
| Production | Gabrielle Joosten | Post Producer |
| Sound | Pip Atherstone-Reid | Sound Editor |
| Crew | Joe Pampanella | Stunts |
| Production | Nick Batzias | Producer |
| Editing | Jenna Dawkins | Assistant Editor |
| Visual Effects | Kate Auld | Digital Compositor |
| Production | Anna Kaplan | Producer |
| Production | Elise Housiaux | Production Coordinator |
| Production | Nick McFarlane | Production Runner |
| Visual Effects | Louis Nikolovski | Digital Compositor |
| Writing | Damon Gameau | Writer |
| Directing | Damon Gameau | Director |
| Production | Paul Wiegard | Executive Producer |
| Art | Carrie Kennedy | Production Design |
| Directing | Paul Kiely | Script Supervisor |
| Production | Lily Rolfe | Production Coordinator |
| Sound | Simon Rosenberg | Sound Mixer |
| Lighting | Adam Bennett | Electrician |
| Crew | Ross Cockle | Score Engineer |
| Production | Ian Darling | Executive Producer |
| Production | Virginia Whitwell | Producer |
| Production | Melissa K. Lee | Post Producer |
| Production | Renata Ogayar | Supervising Producer |
| Editing | Ryan Wade Howard | Editor |
| Art | John McKenna | Standby Art Director |