Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover a world famous painting of her aunt plundered by the Nazis during World War II, she believes rightfully belongs to her family. She did so not just to regain what was rightfully hers, but also to obtain some measure of justice for the death, destruction, and massive art theft perpetrated by the Nazis.
| Production | David M. Thompson | Producer |
| Directing | Simon Curtis | Director |
| Editing | Peter Lambert | Editor |
| Production | Kris Thykier | Producer |
| Writing | Alexi Kaye Campbell | Writer |
| Art | Giles Masters | Art Direction |
| Production | Jennifer L. Smith | Casting |
| Directing | Rebecca Boyle | Script Supervisor |
| Production | Tricia Wood | Casting |
| Art | Andrew Ackland-Snow | Art Direction |
| Production | Gary Davy | Casting |
| Art | Caty Maxey | Art Direction |
| Production | Deborah Aquila | Casting |
| Art | Jim Clay | Production Design |
| Production | Simone Bär | Casting |
| Art | Dominic Masters | Supervising Art Director |
| Camera | Ross Emery | Director of Photography |
| Sound | Martin Phipps | Original Music Composer |
| Sound | Hans Zimmer | Original Music Composer |
| Sound | Christoph Bauschinger | Music Editor |
| Costume & Make-Up | Peter Paul | Costume Supervisor |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Costume & Make-Up | Norma Webb | Key Makeup Artist |
| Sound | Alastair Sirkett | Sound Effects Editor |
| Directing | San Davey | Script Supervisor |
| Sound | Maggie Rodford | Music Supervisor |
| Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
| Visual Effects | Mark Holt | Special Effects Supervisor |
| Costume & Make-Up | Norma Webb | Key Hair Stylist |
| Sound | Ian Wilson | Supervising Sound Editor |
| Sound | Andrew Glen | Music Editor |
| Production | Harvey Weinstein | Executive Producer |
| Production | Len Blavatnik | Executive Producer |
| Production | Bob Weinstein | Executive Producer |
