In 17th century New England, witch hunter Giles Redferne captures an evil warlock, but the conjurer eludes death with supernatural help. Flung into the future, the warlock winds up in the 1980s and plans to bring about the end of the world. Redferne follows the enchanter into the modern era and continues his mission, but runs into trouble in such unfamiliar surroundings. With the help of a young woman, can Redferne finally defeat the warlock?
Production | Arnold Kopelson | Executive Producer |
Editing | David Finfer | Editor |
Writing | David Twohy | Screenplay |
Camera | David Eggby | Director of Photography |
Production | Steve Miner | Producer |
Production | Brian Yuzna | Executive Producer |
Directing | Steve Miner | Director |
Sound | Jerry Goldsmith | Original Music Composer |
Art | Jennifer Williams | Set Decoration |
Costume & Make-Up | Peter Montagna | Special Effects Makeup Artist |
Art | Jon Gary Steele | Art Direction |
Costume & Make-Up | Louise Frogley | Costume Design |
Costume & Make-Up | Dan Platt | Special Effects Makeup Artist |
Costume & Make-Up | Tom Woodruff Jr. | Special Effects Makeup Artist |
Crew | David R. Ellis | Stunt Coordinator |
Costume & Make-Up | Peter Montagna | Assistant Makeup Artist |
Costume & Make-Up | Carl Fullerton | Special Effects Makeup Artist |
Crew | Ken Pepiot | Special Effects Coordinator |
Costume & Make-Up | Pat Gerhardt | Makeup Artist |
Production | Melissa Skoff | Casting |
Costume & Make-Up | Leslie Ann Anderson | Hairstylist |
Sound | Todd Toon | Assistant Sound Editor |
Production | Michael Fottrell | Associate Producer |
Art | Roy Forge Smith | Production Design |
Costume & Make-Up | Neal Martz | Special Effects Makeup Artist |
Sound | John Kwiatkowski | Sound Effects Editor |
Sound | Dane A. Davis | Supervising Sound Editor |
Sound | Lee Strosnider | Sound Mixer |
Sound | James M. Tanenbaum | Sound Mixer |
Directing | David R. Ellis | Second Unit Director |
Editing | Gary Burritt | Negative Cutter |
Lighting | Robert Driskell | Gaffer |
Camera | Dylan Shephard | Key Grip |
Camera | Skip Cook | Dolly Grip |
Production | Michael Fottrell | Unit Production Manager |
Directing | Matt Earl Beesley | First Assistant Director |
Directing | Frank Capra III | Second Assistant Director |
Camera | Bruce M. Pasternack | Camera Operator |
Camera | Walt Lloyd | Camera Operator |
Camera | Randy Nolen | Steadicam Operator |
Sound | Ken Beauchene | Boom Operator |
Costume & Make-Up | Mary Law Weir | Costume Supervisor |
Art | Gary Wissner | Assistant Art Director |
Art | Theresa Pedemonte | Leadman |
Art | Edwin M. Brewer | Property Master |
Art | W. Wayne Walser | Construction Coordinator |
Visual Effects | Robert Habros | Visual Effects Supervisor |
Sound | John T. Reitz | Sound Re-Recording Mixer |
Sound | David E. Campbell | Sound Re-Recording Mixer |
Sound | Gregg Rudloff | Sound Re-Recording Mixer |
Sound | Ken Hall | Music Editor |
Sound | Thom 'Coach' Ehle | Dolby Consultant |
Production | Barbara Harris | ADR Voice Casting |
Sound | Tom Hammond | Foley Editor |
Sound | G.W. Brown | ADR Editor |
Sound | Kimberly Lowe Voigt | Dialogue Editor |
Sound | Randy Vandegrift | Dialogue Editor |
Editing | Tom Shaffer | Color Timer |
Crew | Eddie Lee Voelker | Transportation Coordinator |
Crew | Mario Simon | Transportation Captain |
Crew | Annie Ellis | Stunts |
Crew | Richard M. Ellis | Stunts |
Crew | John C. Meier | Stunts |
Crew | Jeffrey J. Dashnaw | Stunts |
Crew | Doc Duhame | Stunts |