Doug MacRay is a longtime thief, who, smarter than the rest of his crew, is looking for his chance to exit the game. When a bank job leads to the group kidnapping an attractive branch manager, he takes on the role of monitoring her – but their burgeoning relationship threatens to unveil the identities of Doug and his crew to the FBI Agent who is on their case.
Production | John Jashni | Executive Producer |
Writing | Peter Craig | Screenplay |
Production | William Fay | Executive Producer |
Writing | Aaron Stockard | Screenplay |
Writing | Ben Affleck | Screenplay |
Camera | Robert Elswit | Director of Photography |
Directing | Ben Affleck | Director |
Sound | Harry Gregson-Williams | Original Music Composer |
Production | Thomas Tull | Executive Producer |
Production | David Crockett | Executive Producer |
Sound | David Buckley | Original Music Composer |
Editing | Dylan Tichenor | Editor |
Production | Lora Kennedy | Casting |
Art | Peter Borck | Art Direction |
Costume & Make-Up | Susan Matheson | Costume Design |
Costume & Make-Up | John E. Jackson | Makeup Department Head |
Costume & Make-Up | Charlene Amateau | Costume Supervisor |
Art | Sharon Seymour | Production Design |
Art | Maggie Martin | Set Decoration |
Writing | Chuck Hogan | Novel |
Production | Chay Carter | Co-Producer |
Visual Effects | Allen Hall | Special Effects Supervisor |
Crew | Chick Bernhard | Stunts |
Visual Effects | Max Leonard | Visual Effects Coordinator |
Directing | Donald Murphy | Assistant Director |
Crew | Tom McComas | Stunt Coordinator |
Camera | Colin Anderson | Camera Operator |
Directing | Lisa Arnone | Script Supervisor |
Production | Basil Iwanyk | Producer |
Editing | Salvatore Catanzaro | Digital Intermediate |
Production | Graham King | Producer |
Costume & Make-Up | Raul Hernandez | Hairstylist |
Production | Molly Allen | Production Supervisor |
Sound | Lili Haydn | Additional Soundtrack |
Crew | Bob Williams | Special Effects |
Sound | Brian Courchine | Boom Operator |
Production | Mark Fitzgerald | Location Manager |
Sound | David J. Schwartz | Sound Mixer |
Costume & Make-Up | Kelvin R. Trahan | Hair Department Head |
Camera | Alexander Witt | Second Unit Director of Photography |
Camera | Joe Chess | Camera Operator |
Art | Douglas Fox | Property Master |
Costume & Make-Up | Catherine Marcotte | Key Hair Stylist |
Camera | Claire Folger | Still Photographer |
Costume & Make-Up | Marleen Alter | Makeup Artist |
Lighting | David Puopolo | Rigging Grip |
Crew | Michael Peavey | Pilot |
Directing | Sheila Waldron | Script Supervisor |
Art | Denis Leining | Art Department Coordinator |
Art | David Rotondo | Construction Coordinator |
Crew | Brian Heller | Second Unit Cinematographer |
Costume & Make-Up | Trish Seeney | Key Makeup Artist |
Art | Don Miloyevich | Property Master |
Crew | Debbie Evans | Stunts |
Crew | Laura Albert | Stunts |
Art | George Lee | Set Designer |
Sound | Albert Gasser | Sound Effects Editor |
Sound | Aaron Glascock | Supervising Sound Editor |
Sound | Gregg Landaker | Sound Re-Recording Mixer |
Sound | Steve Maslow | Sound Re-Recording Mixer |
Sound | Curt Schulkey | Supervising Sound Editor |
Sound | John Joseph Thomas | Sound Effects Editor |
Sound | Bryan O. Watkins | Sound Effects Editor |
Visual Effects | Mohummed Yusef | Visual Effects Supervisor |
Costume & Make-Up | Parrish Kennington | Set Costumer |
Directing | Alexander Witt | Second Unit Director |
Crew | Henry Kingi | Stunts |
Crew | Paul E. Short | Stunts |
Crew | Steve Kelso | Stunts |