Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
You can now watch The Silence of the Lambs online on the following streaming providers in the United States.
| Camera | Tak Fujimoto | Director of Photography |
| Editing | Craig McKay | Editor |
| Art | Kristi Zea | Production Design |
| Directing | Jonathan Demme | Director |
| Costume & Make-Up | Colleen Atwood | Costume Design |
| Art | Karen O'Hara | Set Decoration |
| Art | Tim Galvin | Art Direction |
| Writing | Ted Tally | Screenplay |
| Writing | Thomas Harris | Novel |
| Production | Howard Feuer | Casting |
| Production | Kenneth Utt | Producer |
| Production | Edward Saxon | Producer |
| Production | Ronald M. Bozman | Producer |
| Sound | Howard Shore | Original Music Composer |
| Production | Grace Blake | Associate Producer |
| Production | Gary Goetzman | Executive Producer |
| Crew | John Robotham | Stunt Coordinator |
| Lighting | Russell Engels | Gaffer |
| Sound | Suzana Peric | Music Editor |
| Sound | Sharon Boyle | Music Supervisor |
| Camera | Ken Regan | Still Photographer |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Sound | Chris Newman | Production Sound Mixer |
| Costume & Make-Up | Kathleen Gerlach | Assistant Costume Designer |
| Crew | James Deeth | Thanks |
| Costume & Make-Up | Hartsell Taylor | Costume Supervisor |
| Crew | Dwight Benjamin-Creel | Special Effects |
| Costume & Make-Up | Allen Weisinger | Makeup Artist |
| Directing | Ronald M. Bozman | Assistant Director |
| Crew | Michael Cassidy | Stunts |
| Crew | George P. Wilbur | Stunts |
| Crew | Todd Kleitsch | Makeup Effects |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Lighting | Michael F. Burke | Electrician |
| Crew | Marshall Persinger | Post Production Supervisor |
| Crew | John Leonidas | Transportation Captain |
| Crew | Denny Caira | Transportation Coordinator |
| Crew | Walter Robles | Stunts |
| Lighting | Ken Connors | Best Boy Electric |
| Camera | Larry McConkey | Steadicam Operator |
| Camera | Mark Streapy | Aerial Camera |
| Art | Brian Hartman | Location Scout |
| Art | Gary Kosko | Assistant Art Director |
| Art | Chris Call | Painter |
| Camera | Tony C. Jannelli | Camera Operator |
| Art | Francine Byrne | Art Department Coordinator |
| Camera | Bruce MacCallum | First Assistant Camera |
| Camera | Richard Aversa | Grip |
| Art | S. Bruce Wineinger | Construction Coordinator |
| Art | C.A. Kelly | Standby Painter |
| Crew | Trish Breganti | Post Production Assistant |
| Crew | Richard Fishwick | Craft Service |
| Sound | John Fundus | Sound Recordist |
| Crew | Dennis Radesky | Transportation Co-Captain |
| Sound | Skip Lievsay | Sound Designer |
| Crew | Judy Arthur | Unit Publicist |
| Crew | Matthew Myers | Production Intern |
| Crew | Catherine Marie McDonald | Set Production Assistant |
| Production | Larry Jackson | Executive In Charge Of Production |
| Sound | Brian Johnson | Assistant Sound Editor |
| Production | Kenneth Utt | Unit Production Manager |
| Editing | Colleen Sharp | First Assistant Editor |
| Art | Ann Miller | Property Master |
| Costume & Make-Up | Ed Lohrer III | Set Dressing Artist |
| Production | Neri Kyle Tannenbaum | Location Manager |
| Sound | Robert F. Warren | Dolby Consultant |
| Sound | Homer Denison | Orchestrator |
| Crew | Eileen Garrigan | Scenic Artist |
| Sound | Dennis Maitland II | Boom Operator |
| Editing | David Orr | Color Timer |
| Camera | Billy Miller | Key Grip |
| Sound | Jeffrey Stern | Dialogue Editor |
| Sound | Deborah Wallach | ADR Editor |
| Sound | Fred Rosenberg | Dialogue Editor |
| Sound | Marissa Littlefield | Dialogue Editor |
| Sound | Philip Stockton | Dialogue Editor |
| Sound | Gail Showalter | ADR Editor |
| Costume & Make-Up | Neal Martz | Makeup Effects Designer |
| Costume & Make-Up | Carl Fullerton | Makeup Effects Designer |
| Art | Kenneth Turek | Set Dresser |
| Crew | Ray Mendez | Animal Wrangler |
| Camera | Brian S. Osmond | Camera Trainee |
| Production | Jonathan Sheinberg | Head of Production |
| Directing | Kyle McCarthy | Second Assistant Director |
| Sound | Missy Cohen | Apprentice Sound Editor |
| Camera | Tom O'Halloran | Second Assistant Camera |
| Production | Lisa Bradley | Assistant Production Coordinator |
| Costume & Make-Up | Mark Burchard | Wardrobe Supervisor |
| Art | Kalina Ivanov | Storyboard Artist |
| Camera | John Donohue | Dolly Grip |
| Production | Donna M. Belajac | Additional Casting |
| Costume & Make-Up | Benjamin Wilson | Wardrobe Assistant |
| Sound | Marko Costanzo | Foley Artist |
| Production | Jeffrey T. Barabe | Production Assistant |
| Sound | Natasha Kinne | Playback Singer |
| Production | John Crowder | Location Coordinator |
| Crew | Walt Oggier | Police Consultant |
| Directing | Mary A. Kelly | Continuity |
| Sound | Dana Sano | Music Coordinator |
| Editing | Lisa Bromwell | Associate Editor |
| Directing | Gina Maria Leonetti | Second Second Assistant Director |
| Crew | Frederika Gray | Key Scenic Artist |
| Sound | Steven Visscher | Foley Editor |
| Sound | David Boulton | ADR Recordist |
| Sound | Frank Kern | Foley Editor |
