Dull and plain Catherine lives with her emotionally distant father, Dr. Sloper, in 1840s New York. Her days are empty — filled with little more than needlepoint. Enter handsome Morris Townsend, a dashing social climber with his eye on the spinster's heart and substantial inheritance.
Writing | Ruth Goetz | Screenplay |
Sound | Aaron Copland | Original Music Composer |
Costume & Make-Up | Edith Head | Costume Design |
Writing | Augustus Goetz | Theatre Play |
Editing | William Hornbeck | Editor |
Writing | Augustus Goetz | Screenplay |
Art | Harry Horner | Art Direction |
Writing | Henry James | Novel |
Directing | William Wyler | Director |
Art | Harry Horner | Production Design |
Camera | Leo Tover | Director of Photography |
Art | John Meehan | Art Direction |
Sound | Van Cleave | Orchestrator |
Visual Effects | Gordon Jennings | Visual Effects |
Sound | Leon Becker | Music Supervisor |
Directing | Charles C. Coleman | Assistant Director |
Production | William Wyler | Producer |
Camera | Haskell B. Boggs | Camera Operator |
Production | Robert Wyler | Associate Producer |
Art | Emile Kuri | Set Decoration |
Production | Charles Woolstenhulme | Production Manager |
Costume & Make-Up | Hal Lierley | Makeup Artist |
Production | Lester Koenig | Associate Producer |
Costume & Make-Up | Wally Westmore | Makeup Department Head |
Costume & Make-Up | Gile Steele | Costume Design |
Costume & Make-Up | Lenore Weaver | Hairstylist |
Sound | John Cope | Sound Recordist |
Sound | Hugo Grenzbach | Sound Recordist |
Directing | Ronnie Lubin | Script Supervisor |