Bruce, the owner of a aerospace company, is infatuated with Jennifer and hires her to be his biographer so that he can be near her and win her affections. Is she actually a Russian spy trying to obtain aerospace secrets?
| Directing | Frank Tashlin | Director |
| Writing | Everett Freeman | Writer |
| Directing | Al Jennings | Assistant Director |
| Art | Hugh Hunt | Set Decoration |
| Sound | Frank De Vol | Original Music Composer |
| Art | Edward C. Carfagno | Art Direction |
| Production | Edward Woehler | Unit Production Manager |
| Crew | Louie Elias | Stunts |
| Art | George W. Davis | Art Direction |
| Crew | Fred Hakim | Stunt Coordinator |
| Camera | Leon Shamroy | Director of Photography |
| Production | Martin Melcher | Producer |
| Production | Everett Freeman | Producer |
| Crew | Dick Dial | Stunts |
| Editing | John McSweeney Jr. | Editor |
| Art | Henry Grace | Set Decoration |
| Costume & Make-Up | Barbara Lampson | Hairstylist |
| Costume & Make-Up | Harry Maret | Makeup Artist |
| Costume & Make-Up | John Truwe | Makeup Artist |
| Costume & Make-Up | William Tuttle | Makeup Supervisor |
| Costume & Make-Up | Dee Manges | Makeup Artist |
| Visual Effects | J. McMillan Johnson | Visual Effects |
| Visual Effects | Carroll L. Shepphird | Visual Effects |
| Sound | Albert Woodbury | Orchestrator |
| Sound | Van Allen James | Sound Editor |
| Sound | Franklin Milton | Sound |
