Phoenix cop Ben Shockley is well on his way to becoming a derelict when he is assigned to transport a witness from Las Vegas. The witness turns out to be a belligerent prostitute with mob ties—and incriminating information regarding a high-ranking figure.
| Production | Robert Daley | Producer |
| Writing | Michael Butler | Writer |
| Directing | Clint Eastwood | Director |
| Writing | Dennis Shryack | Writer |
| Camera | Rexford L. Metz | Director of Photography |
| Production | Fritz Manes | Associate Producer |
| Editing | Ferris Webster | Editor |
| Editing | Joel Cox | Editor |
| Sound | Jerry Fielding | Original Music Composer |
| Art | Allen E. Smith | Art Direction |
| Costume & Make-Up | Don Schoenfeld | Makeup Artist |
| Production | Joseph C. Cavalier | Unit Production Manager |
| Camera | Jack Johnson | Grip |
| Art | Ira Bates | Set Decoration |
| Camera | Jan Kiesser | Camera Operator |
| Lighting | Norman Glasser | Gaffer |
| Costume & Make-Up | Glenn Wright | Costume Supervisor |
| Directing | Richard Hashimoto | Assistant Director |
| Costume & Make-Up | Lorraine Roberson | Hairstylist |
| Directing | Catalina Lawrence | Script Supervisor |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Crew | Buddy Van Horn | Stunts |
| Crew | Marneen Fields | Stunts |
| Crew | George Orrison | Stunt Double |
| Crew | Bob Hoy | Stunts |
| Crew | Sherry Peterson | Stunts |
| Crew | Donnie Williams | Fight Choreographer |
| Directing | Lynn M. Morgan | Second Assistant Director |
| Directing | Peter L. Bergquist | Second Assistant Director |
| Directing | Al Silvani | Second Assistant Director |
| Sound | Les Fresholtz | Sound Re-Recording Mixer |
| Crew | Chuck Gaspar | Special Effects |
| Sound | Michael Minkler | Sound Re-Recording Mixer |
| Sound | Keith Stafford | Sound Effects Editor |
