Alan Mitchell returns to New York to work for his father Walter, the owner of a fashion house that designs and manufactures dresses. To stay non-union, Walter has hired Artie Ravidge, a hood who uses strong-arm tactics to keep the employees in line.
| Directing | Vincent Sherman | Director |
| Production | Harry Kleiner | Producer |
| Costume & Make-Up | Clay Campbell | Makeup Artist |
| Editing | William A. Lyon | Editor |
| Art | Frank Tuttle | Set Decoration |
| Camera | Joseph F. Biroc | Director of Photography |
| Art | Robert Peterson | Art Direction |
| Costume & Make-Up | Jean Louis | Costume Design |
| Costume & Make-Up | Helen Hunt | Hairstylist |
| Writing | Harry Kleiner | Screenplay |
| Directing | Irving J. Moore | Assistant Director |
| Sound | Leith Stevens | Original Music Composer |
| Writing | Harry Kleiner | Story |
| Art | William Kiernan | Set Decoration |
| Sound | John P. Livadary | Recording Supervision |
