Taking over Leeds United, Brian Clough's abrasive approach and his clear dislike of the players' dirty style of play make it certain there is going to be friction. Glimpses of his earlier career help explain both his hostility to previous manager Don Revie and how much he is missing right-hand man Peter Taylor.
| Camera | Ben Smithard | Director of Photography |
| Writing | David Peace | Novel |
| Directing | Tom Hooper | Director |
| Production | Peter Morgan | Executive Producer |
| Production | Lee Morris | Producer |
| Editing | Melanie Oliver | Editor |
| Production | Dan Hubbard | Casting |
| Art | Eve Stewart | Production Design |
| Production | Hugo Heppell | Executive Producer |
| Production | Andy Harries | Producer |
| Production | Grainne Marmion | Producer |
| Production | Christine Langan | Executive Producer |
| Writing | Peter Morgan | Screenplay |
| Sound | Rob Lane | Original Music Composer |
| Costume & Make-Up | Mike O'Neill | Costume Design |
| Costume & Make-Up | Jan Archibald | Makeup Designer |
| Costume & Make-Up | Nicola Mount | Makeup & Hair |
| Costume & Make-Up | Jan Archibald | Hair Designer |
| Costume & Make-Up | Rachael Speke | Makeup & Hair |
| Art | Andrew Holden-Stokes | Supervising Art Director |
| Art | Leon McCarthy | Art Direction |
| Directing | Jemima Thomas | Script Supervisor |
| Sound | Lee Walpole | Supervising Sound Editor |
| Crew | Ian Pead | Stunts |
| Crew | Peter Pedrero | Stunt Coordinator |
| Camera | Vince McGahon | Steadicam Operator |
| Production | Penelope Robinson | Production Accountant |
| Production | Monique Mussell | Production Manager |
| Camera | Richard Lawson | Focus Puller |
| Sound | Forbes Noonan | Foley Supervisor |
| Crew | Roy Taylor | Stunts |
| Editing | Gareth Spensley | Colorist |
| Sound | Liz Gallacher | Music Supervisor |
| Crew | Carol Carmichael | Set Medic |
| Crew | Penny Dyer | Dialect Coach |
| Production | Mally Chung | Unit Manager |
| Sound | Jack Stew | Foley Artist |
| Camera | Alex Fitton | Camera Trainee |
| Sound | Darrell Alexander | Music Coordinator |
| Crew | Darren Hayward | Carpenter |
| Sound | Paul Hamblin | Sound Re-Recording Mixer |
| Art | Jason Bond | Property Master |
| Camera | Laurie Sparham | Still Photographer |
| Costume & Make-Up | Caitlin Tanner | Makeup & Hair |
| Crew | Graeme McHugh | Scenic Artist |
| Sound | Dawn Gough | Assistant Sound Editor |
| Sound | Matthew Skelding | Dialogue Editor |
| Crew | Ben Ashmore | Special Effects Coordinator |
| Lighting | Stuart Drummond | Gaffer |
| Camera | Ronan Murphy | Key Grip |
| Crew | Alistair Hopkins | Post Production Supervisor |
| Directing | Tom Rye | Second Assistant Director |
| Visual Effects | Paul Kelly | Special Effects Supervisor |
| Art | Alison Staples | Graphic Designer |
| Lighting | Steve Gartside | Electrician |
| Editing | Chris McGloin | First Assistant Editor |
| Art | Jean Challender | Art Department Coordinator |
| Art | Martin Parker | Construction Manager |
| Sound | Martin Beresford | Sound Mixer |
| Sound | Andrea King | Foley Artist |
| Camera | Adam Coles | Focus Puller |
| Directing | Gemma Nunn | Third Assistant Director |
| Crew | Charles Ramsay | Stunts |
| Directing | Martin Curry | First Assistant Director |
| Sound | Philip Porter | Boom Operator |
| Editing | Ben Renton | Assistant Editor |
