Los Angeles S.W.A.T. officer, Lt. Paul Cutler, is sent to train the Detroit S.W.A.T. team on new anti-terrorism and homeland security techniques. Cutler has a hard time settling into his assignment as he locks horns with his new captain and encounters resistance from the team he must lead. Cutler begins to adjust to his new assignment, starting a budding romance with police psychologist Kim Byers along the way. Unexpectedly, a routine hostage call turns deadly, and a relentless ex-government agent named Walter Hatch vows revenge on Cutler and the entire S.W.A.T. team for killing the woman he loves. Cutler must use his considerable S.W.A.T. training and knowledge to save his teammates and defeat a trained killer.
| Writing | Reed Steiner | Screenplay |
| Directing | Benny Boom | Director |
| Production | Scott Putman | Executive Producer |
| Production | Amanda Lewis | Producer |
| Production | Neal H. Moritz | Producer |
| Camera | Don Davis | Director of Photography |
| Production | Eliad Josephson | Executive Producer |
| Writing | Reed Steiner | Story |
| Writing | Michael Albanese | Story |
| Production | Jeni Mulein | Co-Producer |
| Writing | Randy Walker | Story |
| Production | Dyan Traynor | Co-Producer |
| Sound | John Paesano | Music |
| Production | Rui Costa Reis | Executive Producer |
| Writing | Ed Arneson | Story |
| Sound | Craig Dollinger | Boom Operator |
| Sound | Trent Richmond | Foley Editor |
| Sound | Jacob Riehle | Dialogue Editor |
| Camera | Christopher Bottoms | Camera Operator |
| Art | Sarah M. Pott | Set Designer |
| Camera | Erik F. Hill | Dolly Grip |
| Art | Bruton Jones | Production Design |
| Sound | Kier Lehman | Music Supervisor |
| Crew | Sam Arthurs | Armorer |
| Costume & Make-Up | Jayne Laube | Key Makeup Artist |
| Crew | Richard L. Hill | Pyrotechnician |
| Visual Effects | Paul Andraos | Visual Effects Producer |
| Visual Effects | Cyryl Koshyk | Visual Effects Supervisor |
| Camera | Andy Hoehn | First Assistant Camera |
| Art | Vicki Stefanopoulos | Art Department Coordinator |
| Visual Effects | Joe Pancake | Pyrotechnic Supervisor |
| Camera | Alicia Gbur | Still Photographer |
| Costume & Make-Up | Vicente Parada | Key Costumer |
| Costume & Make-Up | John Tarro | Hair Department Head |
| Costume & Make-Up | Francine Jamison-Tanchuck | Costume Design |
| Art | Sean Clouser | Construction Coordinator |
| Sound | Benjamin L. Cook | Supervising Sound Editor |
| Sound | Joe Dzuban | Supervising Sound Editor |
| Sound | Greg Vines | Music Editor |
| Costume & Make-Up | Stanley Moore | Costume Supervisor |
| Camera | Kevin D. Hewitt | Camera Operator |
| Costume & Make-Up | Kimberly Jones | Makeup Department Head |
| Costume & Make-Up | Jeannette Moriarty | Key Hair Stylist |
| Directing | Mike Ellis | First Assistant Director |
| Visual Effects | Russell Tyrrell | Special Effects Supervisor |
| Lighting | Michael J. Conner | Best Boy Electric |
| Camera | William Eichler | Steadicam Operator |
| Camera | Reed Koppen | First Assistant Camera |
| Production | Michael S. Jones | Location Manager |
| Production | Daniel A. Mondschain | Production Supervisor |
| Sound | Dean Andre | Sound Recordist |
| Sound | Jeffrey A. Pitts | Sound Effects Editor |
| Production | Bridget Reddeman | Location Manager |
| Art | Selina van den Brink | Set Decoration |
| Lighting | Michael W. Anderson | Lighting Technician |
| Lighting | Anthony 'Spike' Simms | Gaffer |
| Sound | Tim Tuchrello | Sound Editor |
| Production | Benny Boom | Co-Producer |
| Crew | Troy Gilbert | Stunts |
| Crew | Jessica Harbeck | Stunt Double |
