A mentally ill man in a small Texas town goes on a killing rampage and is fatally wounded by police. When doctors use an experimental serum to bring him back to life, the killer develops superhuman strength and the town sheriff must pursue him.
| Directing | Michael Miller | Director |
| Writing | Joseph Fraley | Writer |
| Production | Aaron Norris | Associate Producer |
| Sound | Peter Bernstein | Original Music Composer |
| Art | Jack Marty | Art Direction |
| Camera | Neil Roach | Director of Photography |
| Production | Andy Howard | Co-Producer |
| Costume & Make-Up | Del Armstrong | Makeup Artist |
| Costume & Make-Up | Pat Grover | Hairstylist |
| Production | Anthony B. Unger | Producer |
| Visual Effects | Jack Bennett | Special Effects Supervisor |
| Camera | Robert C. Jessup | Director of Photography |
| Sound | Mark Goldenberg | Original Music Composer |
| Production | Caro Jones | Casting |
| Art | Derek R. Hill | Set Decoration |
| Editing | Richard C. Meyer | Editor |
| Crew | Aaron Norris | Stunts |
| Crew | Janet Jillio | Stunts |
| Crew | Don Pike | Stunts |
| Crew | John Barrett | Stunts |
| Crew | Rick Prieto | Stunts |
| Crew | Mike Johnson | Stunts |
| Crew | The Great John L. | Stunts |
| Crew | Dean Raphael Ferrandini | Stunts |
| Crew | Eli Cummins | Stunts |
| Crew | Dennis Ward | Stunts |
| Crew | Sandy Lang | Stunts |
| Crew | Joe Hamilton | Stunts |
| Crew | Darwin Benjamin | Stunts |
| Crew | Aaron Norris | Stunt Coordinator |
| Crew | Malcolm Lomax | Stunts |
| Crew | Jay De Plano | Stunts |
| Crew | Troy Ward | Stunts |
| Crew | Steve Ward | Stunts |
| Crew | Autry Ward | Stunts |
| Crew | Randy Fife | Stunts |
| Production | Paul Lewis | Executive In Charge Of Production |
| Production | Paul Lewis | Unit Production Manager |
| Directing | Robert P. Cohen | First Assistant Director |
| Directing | Alice West | Second Assistant Director |
| Camera | Don Reddy | Camera Operator |
| Camera | Lynn Lockwood | First Assistant Camera |
| Camera | Ron Ferguson | Second Assistant Camera |
| Directing | Joyce King | Script Supervisor |
| Sound | Robert Wald | Sound Mixer |
| Sound | Michael Hilkene | Supervising Sound Editor |
| Sound | Russ Tinsley | Sound Editor |
| Sound | Bill Thiederman | Sound Editor |
| Sound | Joe Melody | Sound Editor |
| Sound | Christopher Ishii | Sound Editor |
| Sound | Peter Harrison | Sound Editor |
| Sound | Tom Cornwell | Sound Editor |
| Sound | Robert Pearson | Sound Editor |
| Sound | John Kline | Sound Editor |
| Sound | Vern Poore | Sound Re-Recording Mixer |
| Sound | Tom E. Dahl | Sound Re-Recording Mixer |
| Sound | Michael Jiron | Sound Re-Recording Mixer |
| Editing | Ann E. Mills | Associate Editor |
| Editing | Steve Schoenberg | Assistant Editor |
| Editing | John Carnochan | Assistant Editor |
| Sound | Donald W. Ernst | Music Editor |
| Art | Mike Parsons | Property Master |
| Costume & Make-Up | Elizabeth McBride | Wardrobe Supervisor |
| Costume & Make-Up | Christy Haines | Costumer |
| Art | Floyd Smith | Props |
| Camera | Tony Poston | Key Grip |
| Lighting | Robert Driskell | Gaffer |
| Art | E.W. Bradford | Construction Coordinator |
| Production | J. Daniel Dusek | Location Manager |
| Crew | Alvin Milliken | Transportation Captain |
| Crew | Billy Milliken | Transportation Co-Captain |
| Crew | Ron Kern | Transportation Co-Captain |
| Camera | Johnny Smith | Grip |
| Camera | Chris Espeset | Dolly Grip |
| Camera | Gerrit Gerritson | Dolly Grip |
| Camera | Curtis Bingham | Best Boy Grip |
| Camera | Larry Langley | Best Boy Grip |
| Camera | Jim Coe | Still Photographer |
| Sound | Don Broughton | Boom Operator |
| Production | Robbie Gensler | Production Coordinator |
| Production | Karen A. Hall | Production Secretary |
| Production | Bea Lindzon | Local Casting |
