Smith, a mob informer hiding out with the Witness Protection Program, decides to make a break for it and hide out in the Arizona desert. The Feds catch up with him and rescue him just before a group of hitmen can manage to silence him for good. In the course of getting Smith away from the mafia thugs, the pair of agents assigned to protect him turn onto an abandoned stretch of highway nicknamed 'Route 666' after the mysterious death of a prison chain gang. As the three continue on their way, they soon discover just what happened to the chain gang, and how the highway earned its name.
| Directing | William Wesley | Director |
| Writing | William Wesley | Writer |
| Writing | Thomas Weber | Writer |
| Writing | Scott Fivelson | Writer |
| Production | Terence M. O'Keefe | Producer |
| Production | William Wesley | Producer |
| Production | Cami Winikoff | Executive Producer |
| Sound | Terry Plumeri | Original Music Composer |
| Editing | Howard Flaer | Editor |
| Costume & Make-Up | Erin Farrell | Costume Design |
| Art | William Lakoff | Production Design |
| Production | Aaron Griffith | Casting |
| Camera | Philip Lee | Director of Photography |
| Camera | John C. Jennings | Camera Operator |
| Camera | Richard Jones | Second Unit Director of Photography |
| Lighting | Chris Kallemeyn | Gaffer |
| Camera | David Leite | Grip |
| Camera | Tom Lembcke | Best Boy Grip |
| Lighting | Caleb H. Poynter | Best Boy Electric |
| Camera | David Santana | Key Grip |
| Camera | Hopper Stone | Still Photographer |
| Camera | Mariana Sánchez de Antuñano | First Assistant Camera |
| Camera | Ron Veto | Steadicam Operator |
| Camera | Ron Veto | "A" Camera Operator |
| Lighting | David Whittaker | Gaffer |
