It seems that Bob Jones has everything a man could want, namely a fulfilling job and a beautiful, pregnant wife, Gail. But Bob's life is turned upside-down when he is diagnosed with cancer and given four months to live -- not even enough time to see his first child's birth. To cleanse himself of demons in his remaining days, Bob makes a video diary, hoping to pass along some wisdom to his future child. Along the way, he discovers a lot about himself.
| Directing | Bruce Joel Rubin | Director |
| Writing | Bruce Joel Rubin | Writer |
| Sound | John Barry | Music |
| Art | Anne D. McCulley | Set Decoration |
| Costume & Make-Up | Judy L. Ruskin | Costume Design |
| Production | Hunt Lowry | Producer |
| Production | Jerry Zucker | Producer |
| Production | Bruce Joel Rubin | Producer |
| Production | Gil Netter | Executive Producer |
| Production | Kathryn J. McDermott | Associate Producer |
| Editing | Richard Chew | Editor |
| Art | Neil Spisak | Production Design |
| Art | Larry Fulton | Art Direction |
| Art | Troy Sizemore | Art Direction |
| Camera | Peter James | Director of Photography |
| Production | Hunt Lowry | Unit Production Manager |
| Directing | William M. Elvin | First Assistant Director |
| Directing | Alan Edmisten | Second Assistant Director |
| Production | William M. Elvin | Associate Producer |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Camera | Michael Ferris | Camera Operator |
| Camera | Josh Bleibtreu | First Assistant Camera |
| Camera | Daniel E. Teaze | Second Assistant Camera |
| Camera | Gregory Lundsgaard | Steadicam Operator |
| Crew | Richard Scarpone | Video Assist Operator |
| Sound | John Sutton | Sound Mixer |
| Sound | Bill J. DiDonna | Boom Operator |
| Costume & Make-Up | Kimberly Guenther Durkin | Costume Supervisor |
| Costume & Make-Up | Bob Mills | Makeup Artist |
| Costume & Make-Up | David Forrest | Makeup Artist |
| Costume & Make-Up | Joseph Coscia | Hairstylist |
| Costume & Make-Up | Barbara Lorenz | Hairstylist |
| Costume & Make-Up | Matthew W. Mungle | Prosthetic Makeup Artist |
| Lighting | Peter Clarson | Chief Lighting Technician |
| Lighting | Patrick Murray | Assistant Chief Lighting Technician |
| Camera | Bobby Huber | Key Grip |
| Camera | Frank A. Montesanto | Second Company Grip |
| Camera | Dwight Joseph Lavers | Dolly Grip |
| Crew | Larz Anderson | Special Effects |
| Production | Lisa Lynn Kearsley | Production Coordinator |
| Production | Margaret Mitchell | Production Accountant |
| Production | John Panzarella | Location Manager |
| Art | Philip Steuer | Property Master |
| Art | Mike Cunningham | Assistant Property Master |
| Directing | Otie Brown | Second Second Assistant Director |
| Art | Gina B. Cranham | Set Designer |
| Crew | Steven R. Molen | Transportation Captain |
| Sound | Richard King | Supervising Sound Editor |
| Sound | John Benson | Sound Editor |
| Sound | Sukey Fontelieu | Sound Editor |
| Sound | Cliff Kohlweck | Music Editor |
| Sound | Chris Carpenter | Sound Re-Recording Mixer |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Sound | Cliff Latimer | ADR Supervisor |
| Art | Kenneth L. Westcott | Leadman |
| Crew | Jeff Winn | Craft Service |
| Art | Len Morganti | Storyboard Artist |
| Crew | Carla Meyer | Dialect Coach |
| Crew | Anne S. Reilly | Unit Publicist |
| Camera | Merrick Morton | Still Photographer |
| Editing | Donah Bassett | Negative Cutter |
| Visual Effects | John Nelson | Visual Effects Supervisor |
| Visual Effects | George Merkert | Visual Effects Producer |
| Visual Effects | Neil Eskuri | Lead Animator |
| Crew | Ladd McPartland | Visual Effects Editor |
