FBI agent Barney Coopersmith is assigned to protect former Mafia figure turned informant Vincent Antonelli. In the witness protection program one is supposed to keep a low profile, but that is something that Antonelli has trouble doing. Coopersmith certainly has his hands full keeping Antonelli away from the Mafia hitmen who want to stop him testifying, not to mention the nightclubs...
| Writing | Nora Ephron | Writer |
| Directing | Herbert Ross | Director |
| Directing | Ariel Levy | First Assistant Director |
| Editing | Robert M. Reitano | Editor |
| Costume & Make-Up | Joseph G. Aulisi | Costume Design |
| Art | Charles Rosen | Production Design |
| Art | Donald J. Remacle | Set Decoration |
| Production | Andrew Stone | Executive Producer |
| Production | Herbert Ross | Producer |
| Production | Goldie Hawn | Executive Producer |
| Production | Anthea Sylbert | Producer |
| Production | Joseph M. Caracciolo | Co-Producer |
| Production | Hank McCann | Casting |
| Editing | Stephen A. Rotter | Editor |
| Art | Richard Berger | Art Direction |
| Sound | Ira Newborn | Original Music Composer |
| Camera | John Bailey | Director of Photography |
| Production | Nora Ephron | Executive Producer |
| Crew | Norman Fessler | Stand In |
