Despondent over a painful estrangement from his daughter, trainer Frankie Dunn isn't prepared for boxer Maggie Fitzgerald to enter his life. But Maggie's determined to go pro and to convince Dunn and his cohort to help her.
| Directing | Clint Eastwood | Director |
| Production | Clint Eastwood | Producer |
| Production | Paul Haggis | Producer |
| Production | Tom Rosenberg | Producer |
| Production | Albert S. Ruddy | Producer |
| Sound | Clint Eastwood | Original Music Composer |
| Sound | David Potaux-Razel | Additional Soundtrack |
| Camera | Tom Stern | Director of Photography |
| Editing | Joel Cox | Editor |
| Production | Phyllis Huffman | Casting |
| Art | Henry Bumstead | Production Design |
| Art | Jack G. Taylor Jr. | Art Direction |
| Costume & Make-Up | Deborah Hopper | Costume Design |
| Sound | Bub Asman | Sound Editor |
| Writing | Paul Haggis | Screenplay |
| Production | Bobby Moresco | Co-Producer |
| Production | Robert Lorenz | Executive Producer |
| Production | Gary Lucchesi | Executive Producer |
| Crew | Mark Thomason | Stand In |
| Writing | F.X. Toole | Story |
| Art | Richard C. Goddard | Set Decoration |
| Costume & Make-Up | Deena Adair | Hairstylist |
| Costume & Make-Up | Nancy Hancock | Makeup Artist |
| Production | Tim Moore | Unit Production Manager |
| Directing | Robert Lorenz | Assistant Director |
| Crew | Steve Riley | Special Effects Coordinator |
| Visual Effects | Liz Radley | Visual Effects |
| Crew | Darin McCormick-Millett | Digital Producer |
| Visual Effects | James D. Tittle | Visual Effects Coordinator |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Crew | Mimi Lesseos | Stunts |
| Editing | Michael Cipriano | Assistant Editor |
| Editing | Gary D. Roach | First Assistant Editor |
| Editing | Kurt Smith | Color Timer |
| Directing | Mable Lawson-McCrary | Script Supervisor |
| Camera | Stephen S. Campanelli | Camera Operator |
| Camera | Bill Coe | First Assistant Camera |
| Lighting | Terry Kramer | Electrician |
| Art | Pam Cartmel | Art Department Coordinator |
| Art | Michael Muscarella | Construction Coordinator |
| Art | John Schacht | Leadman |
| Art | Gary A. Lee | Set Designer |
| Camera | Charles Saldaña | Grip |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Costume & Make-Up | Lynda Foote | Costume Supervisor |
| Costume & Make-Up | Carol A. O'Connell | Key Hair Stylist |
| Costume & Make-Up | Ann Culotta | Set Costumer |
| Costume & Make-Up | Brian Bilson | Set Dressing Artist |
| Crew | Kyle Eastwood | Additional Music |
| Crew | James R. Lord | Carpenter |
| Crew | Nancy G. James | Craft Service |
| Crew | Robert Aaron Brown | Driver |
| Crew | Paulina Quaranta | Production Office Assistant |
| Crew | Robert Silcock | Propmaker |
| Art | Michael Sexton | Property Master |
| Crew | Scooter Perrotta | Set Production Assistant |
| Crew | Charles Ramirez | Transportation Captain |
| Crew | Dillin Craig | Transportation Co-Captain |
| Crew | Keith Dillin | Transportation Coordinator |
| Lighting | Sean Higgins | Rigging Gaffer |
| Lighting | T. Daniel Scaringi | Rigging Grip |
| Production | Jason S. Gondek | Production Accountant |
| Production | Karen Shaw | Production Coordinator |
| Sound | Juno J. Ellis | ADR & Dubbing |
| Sound | Jonathan Fuh | Boom Operator |
| Sound | William Cawley | First Assistant Sound Editor |
| Sound | Donald Harris | Music Editor |
| Sound | Lennie Niehaus | Orchestrator |
| Sound | David Grimaldi | Sound Effects Editor |
| Sound | Walt Martin | Sound Mixer |
| Crew | Judith M. Brown | Studio Teachers |
| Directing | Ryan Craig | Additional Second Assistant Director |
| Directing | Donald Murphy | Second Assistant Director |
| Directing | Katie Carroll | Second Second Assistant Director |
| Art | Scott M. Anderson | Assistant Property Master |
| Art | Christine Fegley | Set Painter |
| Art | William A. Barry III | Swing |
| Sound | Nicholas Korda | ADR Editor |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Sound | John T. Cucci | Foley Artist |
| Sound | James Ashwill | Foley Mixer |
| Sound | Brian Magerkurth | Sound Mix Technician |
| Sound | Nicholas Korda | Supervising ADR Editor |
| Sound | Lucy Coldsnow-Smith | Supervising Dialogue Editor |
| Crew | Ante Dugandzic | Special Effects Technician |
| Camera | Matthew A. Del Ruth | Assistant Camera |
| Camera | Doug Wall | Best Boy Grip |
| Camera | Trevor Carroll-Coe | Camera Loader |
| Camera | James D. Wickman | Dolly Grip |
| Camera | Bobby McMahan | Second Assistant Camera |
| Production | Geoffrey Miclat | Casting Assistant |
| Editing | Mo Henry | Negative Cutter |
| Production | Elisa Ann Conant | Assistant Location Manager |
| Sound | Lennie Niehaus | Conductor |
| Production | Rose Mesa | Assistant Accountant |
| Lighting | John Lacy | Assistant Chief Lighting Technician |
| Lighting | Ross Dunkerley | Chief Lighting Technician |
| Production | Tony Hobbs | Extras Casting |
| Production | Lucy Ramirez-Ewart | Production Assistant |
| Crew | Don Dinkins | Technical Advisor |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Production | Susan Hartmann | Assistant Production Coordinator |
| Crew | Rosine 'Ace' Hatem | Stunts |
| Crew | Erin Carufel | Stunt Double |
