The story of the battle of Iwo Jima between the United States and Imperial Japan during World War II, as told from the perspective of the Japanese who fought it.
| Production | Steven Spielberg | Producer |
| Writing | Iris Yamashita | Screenplay |
| Camera | Tom Stern | Director of Photography |
| Production | Clint Eastwood | Producer |
| Art | Henry Bumstead | Production Design |
| Directing | Clint Eastwood | Director |
| Production | Robert Lorenz | Producer |
| Sound | Michael Stevens | Original Music Composer |
| Production | Paul Haggis | Producer |
| Sound | Kyle Eastwood | Original Music Composer |
| Editing | Joel Cox | Editor |
| Art | James J. Murakami | Production Design |
| Production | Phyllis Huffman | Casting |
| Costume & Make-Up | Deborah Hopper | Costume Design |
| Camera | Liz Radley | Camera Operator |
| Crew | Domiciano Rodriquez | Transportation Co-Captain |
| Production | Steve Beimler | Location Manager |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Sound | Flash Deros | Boom Operator |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Art | Pam Cartmel | Art Department Coordinator |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Art | Adrian Gorton | Set Designer |
| Camera | David Luckenbach | Camera Operator |
| Costume & Make-Up | Mitchell Ray Kenney | Costume Supervisor |
| Editing | Bruce Lomet | Digital Intermediate |
| Art | James 'JD' Deal | Greensman |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Visual Effects | Julian Levi | Visual Effects Producer |
| Camera | Stephen S. Campanelli | Camera Operator |
| Editing | Kurt Smith | Color Timer |
| Crew | Larry Stelling | Transportation Coordinator |
| Crew | Alana Stelling | Transportation Captain |
| Costume & Make-Up | Tania McComas | Makeup Department Head |
| Sound | Sarah Monat | Foley |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Visual Effects | Matthew E. Butler | Visual Effects Supervisor |
| Visual Effects | Michael Owens | Visual Effects Supervisor |
| Directing | Mable Lawson-McCrary | Script Supervisor |
| Art | Gary A. Lee | Set Designer |
| Sound | Robin Harlan | Foley |
| Lighting | Ross Dunkerley | Gaffer |
| Costume & Make-Up | John M. 'Jack' Wright | Costume Supervisor |
| Visual Effects | Hugo Dominguez | Visual Effects |
| Sound | Charles Maynes | Sound Designer |
| Sound | Bub Asman | Sound Editor |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Sound | Karen Spangenberg | Dialogue Editor |
| Sound | David A. Arnold | Supervising Dialogue Editor |
| Sound | Walt Martin | Sound Mixer |
| Art | Michael Sexton | Property Master |
| Sound | Nicholas Korda | ADR Editor |
| Editing | Blu Murray | First Assistant Editor |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Sound | Lucy Coldsnow-Smith | Dialogue Editor |
| Sound | Juno J. Ellis | ADR Supervisor |
| Directing | Peter Dress | Second Second Assistant Director |
| Writing | Paul Haggis | Story |
| Writing | Iris Yamashita | Story |
| Visual Effects | Eric Deinzer | Visual Effects |
| Crew | Al Goto | Stunts |
| Visual Effects | Lou Pecora | Digital Compositor |
