A successful and married black man contemplates having an affair with a white girl from work. He's quite rightly worried that the racial difference would make an already taboo relationship even worse.
Costume & Make-Up | Ruth E. Carter | Costume Design |
Editing | Sam Pollard | Editor |
Art | Wynn Thomas | Production Design |
Directing | Spike Lee | Director |
Production | Spike Lee | Producer |
Camera | Ernest R. Dickerson | Director of Photography |
Sound | Terence Blanchard | Original Music Composer |
Sound | Stevie Wonder | Original Music Composer |
Art | Ted Glass | Set Decoration |
Production | Brent Owens | Location Manager |
Production | Debra D. Jeffreys | Production Office Coordinator |
Production | Sherri G. Sneed | Production Secretary |
Camera | Pamela Katz | First Assistant Camera |
Production | Robi Reed | Casting |
Production | Preston L. Holmes | Production Supervisor |
Directing | H.H. Cooper | Second Assistant Director |
Sound | Skip Lievsay | Sound Designer |
Directing | Dale Pierce-Johnson | Second Assistant Director |
Camera | Frank Prinzi | Additional Camera |
Production | Monty Ross | Co-Producer |
Directing | Randy Fletcher | First Assistant Director |
Camera | Daniel Sanabria | First Assistant Camera |
Camera | Kirk R. Gardner | Steadicam Operator |
Production | Jon Kilik | Line Producer |
Camera | Larry McConkey | Steadicam Operator |
Writing | Spike Lee | Writer |
Camera | Phil Oetiker | Camera Operator |
Camera | Floyd A.B. Rance III | Second Assistant Camera |
Camera | David Lee | Still Photographer |
Camera | George Pattison | Additional Camera |
Production | Brent Owens | Unit Manager |
Camera | Nate Ranger | Second Assistant Camera |
Camera | Ted Churchill | Steadicam Operator |
Directing | Shari L. Carpenter | Continuity |
Production | Susan D. Fowler | Production Coordinator |
Crew | Anna Southall | Unit Publicist |
Lighting | Val DeSalvo | Best Boy Electric |
Production | Carl Anthony Lee | Casting Associate |
Costume & Make-Up | Larry M. Cherry | Hairdresser |
Sound | Alex Steyermark | Music Editor |
Lighting | Charles Houston | Gaffer |
Production | Andrea Reed | Extras Casting |
Costume & Make-Up | Jennifer Bryan | Wardrobe Supervisor |
Editing | Brunilda Torres | Additional Editor |
Sound | Deborah Wallach | ADR Editor |
Art | Kevin Ladson | Property Master |
Art | Diann Duthie | Assistant Art Director |
Production | Eric Klein | Assistant Location Manager |
Production | Tracy Vilar | Extras Casting |
Costume & Make-Up | Ellie Winslow | Makeup Artist |
Editing | Leander T. Sales | Assistant Editor |
Sound | Marko Costanzo | Foley Artist |
Sound | David Boulton | ADR Recordist |
Sound | Fred Rosenberg | Dialogue Editor |
Sound | Brian Johnson | Assistant Sound Editor |
Costume & Make-Up | Laini Thompson | Makeup Artist |
Costume & Make-Up | Bernadette Mazur | Makeup Artist |
Crew | Jeff Ward | Stunt Coordinator |
Sound | Jeffrey Stern | Dialogue Editor |
Sound | Steven Visscher | Foley Editor |
Art | Scott Rosenstock | Leadman |
Camera | Paul Wachter | Best Boy Grip |
Art | Martin Bernstein | Construction Coordinator |
Production | Dale Watkins | Assistant Location Manager |
Sound | Magdaline Volaitis | Dialogue Editor |
Sound | Kevin Lee | Dialogue Editor |
Sound | Bruce Pross | Foley Editor |
Sound | Diane Schaub | ADR Editor |
Sound | Frank Kern | Foley Editor |
Camera | Robert M. Andres | Key Grip |
Sound | Ron Bochar | Sound Effects Editor |
Sound | Tom Fleischman | Sound Re-Recording Mixer |
Sound | Pam DeMetruis-Thomas | ADR Editor |
Sound | Chris Fielder | Assistant Sound Editor |
Art | Jeff Balsmeyer | Storyboard Artist |
Costume & Make-Up | Clifford Booker | Hairdresser |
Sound | Russell Williams II | Sound Recordist |
Sound | Albert Aquino | Boom Operator |
Camera | Tom Kudlek | Dolly Grip |
Sound | Greg Speed | Assistant Sound Editor |
Crew | James Leavey | Transportation Captain |