In a dystopian 2021, Johnny is a data trafficker who has an implant that allows him to securely store data too sensitive for regular computer networks. On one delivery run, he accepts a package that not only exceeds the implant's safety limits—and will kill him if the data is not removed in time—but also contains information far more important and valuable than he had ever imagined. On a race against time, he must avoid the assassins sent to kill him and remove the data before it, too, ends his life.
| Production | Robert Lantos | Executive Producer |
| Production | Don Carmody | Producer |
| Editing | Ronald Sanders | Editor |
| Production | Staffan Ahrenberg | Executive Producer |
| Camera | François Protat | Director of Photography |
| Production | Victoria Hamburg | Executive Producer |
| Directing | Robert Longo | Director |
| Sound | Brad Fiedel | Original Music Composer |
| Crew | Tig Fong | Stunts |
| Sound | Mychael Danna | Original Music Composer |
| Art | Nilo Rodis-Jamero | Production Design |
| Art | Dennis Davenport | Art Direction |
| Art | Enrico Campana | Set Decoration |
| Costume & Make-Up | Olga Dimitrovová | Costume Design |
| Costume & Make-Up | Linda Gill | Key Makeup Artist |
| Costume & Make-Up | Marilyn Terry | Assistant Makeup Artist |
| Costume & Make-Up | Fred C. Blau Jr. | Tattoo Designer |
| Production | Ian McDougall | Production Manager |
| Production | Jean Desormeaux | Supervising Producer |
| Production | Bernard Vincent | Unit Production Manager |
| Production | Pierre Laberge | Unit Production Manager |
| Crew | Michael Jewison | Post Production Supervisor |
| Crew | Gregor Hutchison | Post Production Supervisor |
| Art | Mike Franklin | Set Dresser |
| Art | Kim Karon | Assistant Art Director |
| Art | Don McQueen | Assistant Set Decoration |
| Art | Michèle Nolet | Set Decoration |
| Art | Andrew M. Stearn | First Assistant Art Direction |
| Art | Ian Hall | First Assistant Art Direction |
| Art | Richard Tassé | Set Decoration |
| Art | Dan Wladyka | Assistant Set Decoration |
| Sound | Jay Boekelheide | Sound Effects Editor |
| Sound | Patrick Dodd | Supervising Sound Editor |
| Sound | Douglas Ganton | Sound Mixer |
| Sound | Mark Lanza | Sound Effects Editor |
| Sound | Michael Mennies | Sound Effects Editor |
| Sound | Douglas Murray | Sound Designer |
| Sound | Jonathan Null | Sound Effects Editor |
| Sound | Scott Purdy | Sound Re-Recording Mixer |
| Sound | Leslie Shatz | Sound Re-Recording Mixer |
| Sound | Don White | Sound Re-Recording Mixer |
| Sound | Mark Jan Wlodarkiewicz | Sound Effects Editor |
| Visual Effects | Bill Birrell | Visual Effects Producer |
| Visual Effects | Anthony Ceccomancini | Visual Effects Coordinator |
| Visual Effects | Cat Chapman | Visual Effects Coordinator |
| Visual Effects | Ryan Berg | Visual Effects Coordinator |
| Visual Effects | Leslie Huntley | Visual Effects Producer |
| Visual Effects | George Merkert | Visual Effects Producer |
| Visual Effects | Gene Warren Jr. | Visual Effects Supervisor |
| Visual Effects | David Worman | Animation |
| Visual Effects | Artie Romero | Animation |
| Costume & Make-Up | Linda Gill | Makeup Artist |
| Writing | William Gibson | Short Story |
| Writing | William Gibson | Screenplay |
| Crew | Alison Reid | Stunts |
| Crew | Shelley Cook | Stunts |
