The film features Fernandez himself as a character named Rogellio Torres. The lion's share of the footage, however, is devoted to the romance between Esperanza, granddaughter of a common laborer, and Jose Luis Castro, the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro's father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow.
Sound | Fernando Barrera | Sound |
Writing | Mauricio Magdaleno | Screenplay |
Directing | Emilio Fernández | Director |
Production | Emilio Gómez Muriel | Producer |
Production | Agustín J. Fink | Producer |
Writing | Fernando Robles | Novel |
Writing | Emilio Fernández | Screenplay |
Sound | Howard E. Randall | Sound |
Sound | Manuel Esperón | Sound |
Editing | Jorge Busto | Editor |
Costume & Make-Up | Armando Valdés Peza | Costume Design |
Directing | Felipe Palomino | Assistant Director |
Costume & Make-Up | Ana Guerrero | Makeup Artist |
Camera | Gabriel Figueroa | Director of Photography |
Directing | Matilde Landeta | Script Supervisor |
Sound | Francisco Domínguez | Original Music Composer |
Production | Armando Espinosa | Production Manager |
Camera | Domingo Carrillo | Camera Operator |
Art | Jorge Fernández | Production Design |