Stoney Cooper, a former Los Angeles police officer, is at a low point in his life. Kicked off the force because of his anti-authority attitude, he now ekes out a living as a freelancer in New York. All this changes when the daughter of an old friend is killed by serial killer terrorizing L.A. Although almost nobody in his old home town is happy to see him back, Cooper pledges to bring the killer to justice before any more innocent people die.
| Directing | Paul Aaron | Director |
| Production | Dennis Nemec | Producer |
| Crew | Mark Shostrom | Makeup Effects |
| Art | Alan Roderick-Jones | Art Direction |
| Production | Sandy Howard | Producer |
| Camera | Norman Leigh | Director of Photography |
| Costume & Make-Up | Betty Pecha Madden | Costume Design |
| Camera | David Myers | Director of Photography |
| Production | Roger La Page | Line Producer |
| Camera | Jon Kranhouse | Director of Photography |
| Sound | Gary S. Scott | Original Music Composer |
| Production | John Daly | Executive Producer |
| Writing | Barry Schneider | Screenplay |
| Writing | Ken Barnett | Screenplay |
| Writing | Robert Vincent O'Neil | Screenplay |
| Editing | Roy Watts | Editor |
| Production | Keith Rubinstein | Associate Producer |
| Writing | Ken Barnett | Story |
| Production | Roger La Page | Production Manager |
| Crew | Denny Arnold | Stunts |
| Crew | Norman Blankenship | Stunts |
| Crew | Bud Davis | Stunts |
| Crew | Ray Lykins | Stunts |
| Crew | Donna Lynn | Stunts |
| Crew | Mardie Schaefer | Stunts |
| Crew | Alan Marcus | Stunts |
| Crew | Don Pike | Stunts |
| Crew | Lee Pulford | Stunts |
| Directing | Ronald Colby | First Assistant Director |
| Directing | James Fitzpatrick | Second Assistant Director |
| Crew | Gary Gillingham | Production Controller |
| Production | Hursey St. Johns | Casting |
| Directing | Jeanne Rosenberg | Script Supervisor |
| Production | Chip Fowler | Production Coordinator |
| Production | Carol Hilson | Production Coordinator |
| Production | William Fay | Location Manager |
| Camera | Hanania Baer | Camera Operator |
| Camera | Peter Lyons Collister | Camera Operator |
| Camera | Michael E. Little | First Assistant Camera |
| Camera | Steven Finestone | Second Assistant Camera |
| Camera | Joel Soisson | Second Assistant Camera |
| Sound | Ron Judkins | Sound Mixer |
| Sound | Joseph Geisinger | Boom Operator |
| Lighting | Dennis Grow | Gaffer |
| Lighting | Gregory Peters | Best Boy Electric |
| Lighting | John M. Conti | Electrician |
| Lighting | Patrick James Grosswendt | Electrician |
| Camera | Jonathan Woolf | Key Grip |
| Camera | Robert Fischer | Best Boy Grip |
| Camera | Robie Price | Dolly Grip |
| Camera | Richard R. Perkins | Grip |
| Costume & Make-Up | Julie Glick | Costume Assistant |
| Art | Stuart Lennox | Assistant Production Design |
| Art | Nancy Arnold | Set Decoration |
| Art | Elise Basten | Assistant Set Decoration |
| Art | David L. Glazer | Property Master |
| Art | Steve Carpenter | Assistant Property Master |
| Costume & Make-Up | Scott Readwine | Key Makeup Artist |
| Costume & Make-Up | Mark Shostrom | Special Effects Makeup Artist |
| Costume & Make-Up | Terryis Lee Hamilton | Key Hairdresser |
| Crew | Frank Tremonti | Transportation Coordinator |
| Crew | Jack Lyons | Unit Publicist |
| Camera | Diana Lynn Moltrup | Still Photographer |
| Editing | John Currin | Assistant Editor |
| Editing | Lane Russell | Assistant Editor |
| Sound | Paul B. Clay | Supervising Sound Editor |
| Sound | James Troutman | Supervising Sound Editor |
| Sound | Peter Grives | Sound Editor |
| Sound | Russ Hill | Sound Editor |
| Sound | Paul Laune | Sound Editor |
| Sound | Gary Vaughan | Sound Editor |
| Sound | Dan Thomas | Sound Editor |
| Sound | Karen Rasch | Dialogue Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Fred Prior | Music Editor |
| Camera | Dennis Smith | Camera Operator |
